题名

詮釋取徑之藝術研究方法

并列篇名

Hermeneutic Approach as an Art Research Methodology

作者

賴雯淑(Wen-Shu Lai);許雯婷(Wun-Ting Hsu)

关键词

詮釋學 ; 藝術研究方法 ; 詮釋歷程 ; hermeneutics ; art research ; methodology ; the hermeneutic process

期刊名称

藝術教育研究

卷期/出版年月

22期(2011 / 12 / 01)

页次

109 - 145

内容语文

繁體中文

中文摘要

藝術可被視為人類在意義溝通上的重要途徑,而詮釋學作為一門意義理解與闡釋的方法學,兩者之間具有密切關聯性。因此對詮釋取徑內涵的釐清,有助於將之應用於藝術的質性研究,故本文分別從以下四個面向進行論述:(1)詮釋作為藝術研究方法的通切性;(2)詮釋學脈絡的梳理;(3)探討藝術與詮釋學概念的關聯,進而具體化藝術詮釋的歷程與模式;(4)反思詮釋取徑作為藝術研究方法之侷限性。筆者認為這方面的探討有助於理解詮釋學方法應用於藝術研究、藝術作品的理解與鑑賞教學等相關領域的貢獻。

英文摘要

Art is an important vehicle for human to communicate meaning. And hermeneutics is regarded as a methodology of understanding and interpreting meaning. Therefore, art and hermeneutics have an indispensible connection. Thus, it is profitable to explore the hermeneutic approach as a research methodology in visual arts. This paper includes the following aspects: (1) examine why hermeneutics is an appropriate methodology for art research today, (2) overview of the history of hermeneutics, (3) discuss the relations between art and hermeneutic concepts, then reify the hermeneutic process and mode in terms of art interpretation, and (4) reflect on the limitations of hermeneutics as a research approach in art research. The purpose of this paper is to examine whether the hermeneutic approach is a suitable methodology in art research and the limitations of it. We believe that this paper is helpful to the understanding of hermeneutics as a research methodology in visual arts and its contribution in this field.

主题分类 人文學 > 藝術
社會科學 > 教育學
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被引用次数
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  2. 賴雯淑、吳欣怡(2013)。論雪潤•內夏特作品中的三重隱喻:以其劇情電影“Women Without Men"為探究起點。藝術評論,25,125-159。
  3. 浦莉安(2021)。博物館新媒體藝術之展示研究-以國立故宮博物院為例。檔案半年刊,20(2),104-113。