以達利與伊藤潤二的創作為例，探討超現實主義視覺藝術之分析與應用

Taking The Creations of Dali and Ito Junji as Examples to Explore The Analysis and Application of Surrealism of Visual Art

徐薇

超現實主義 ； 象徵性圖像與暗示 ； 夢境與潛意識 ； Surrealism ； Symbolic Image ； Dream and Subconsciousness

圖文傳播藝術學報

2024（2024 / 04 / 01）

130 - 141

繁體中文;英文

盛行於歐洲文學與藝術界中的超現實文化運動，世界各大名家創作中運用技法或理論形成、建構或記錄下抽象性或純為概念的想法過程，化為具有象徵性的圖像或暗示，因此，本研究先透過歷史架構背景來解釋超現實主義的形成與風格，並藉著對夢境與潛意識中心理世界的探討，將引用西格蒙德．弗洛伊德的精神分析學說，與卡爾．榮格之學者所提論述相互對照，衍生至以薩爾瓦多．達利的創作來與伊藤潤二的作品做出連結與解釋，以及其創作發想或手法相似或不同之處做出比較與詳述，且探討影像藝術呈現，及個人創作之應用結果與評析。

The Surrealism cultural movement that prevailed in the European literature and art circles,the process of using techniques or theories to form, construct or record abstract or purely conceptual ideas, turning them into symbolic image or hint, blurring or blending the gap and distinction between the real and unreal. Therefore, this study first explains the formation and style of Surrealism through the historical framework background, and through the discussion of the psychological world in dream and subcinsciousness, the psychoanalytic theory of Sigmund Freud will be quoted. Comparing with the discussions made by scholars of Carl Jung, it is derived from the creation of Salvador Dali to connect and explain the works of Itou Junji, also compare and elaborate on the similarities or differences in their creative ideas or techniques, and explore the presentation of visual art, as well as the application results and evaluation of self-creation.