题名 |
現實與美學的交錯-《中國時報》敘事詩文學獎的美感建構 |
并列篇名 |
The Interlocking of Reality and Aesthetics: Constructing Aesthetics of the Narrative Poetry Award in "China Times" |
DOI |
10.29980/MCL.200812.0005 |
作者 |
林秋芳(Chiu-Fang Lin) |
关键词 |
中國時報 ; 敘事詩 ; 文學獎 ; 美感 ; 現實 ; China Times ; narrative poetry ; literature award ; aesthetics ; reality |
期刊名称 |
中國現代文學 |
卷期/出版年月 |
14期(2008 / 12 / 20) |
页次 |
85 - 99 |
内容语文 |
繁體中文 |
中文摘要 |
1979年《中國時報》第二屆文學獎增設敘事詩獎項,至1982年止,共徵稿四年。由於獎金優渥,再加上《中國時報》的發行量動輒百萬,無形中帶動敘事詩的創作風潮。目前學界相關的研究並不多,本論文研究發現:《中國時報》敘事詩獎的設置和七○年代的社會風潮、副刊總編高信疆有極大的關聯,而為期四年的得獎作品,其美感的建構,既和社會脈動息息相關,又發展一套專屬敘事詩的形式美感,可謂現實與美學的交錯。 |
英文摘要 |
The second literature award of ”China Times” set up the narrative poetry award in 1979. Until 1982, they solicited contributions for four years together. Because of excellent bonus, and a million of daily circulation, ”China Times” had driven the creation agitation of narrative poetry virtually. There is actually little relevant research about this topic at present. This paper is trying to point out that there is great relation with social agitation in the seventies and the approach of editor-in-chief of literary supplement Kao Hsin-chiang about the establishment rewarded in ”China Times” narrative poetry. The four-year long award-winning works which constructing of its aesthetics vitally interrelated with the society pulses, also developing a unique form aesthetics of narrative poetry, may well be termed the interlocking of reality and aesthetics. |
主题分类 |
人文學 >
中國文學 |
参考文献 |
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