性、死亡、戲劇性：從《六十年代詩選》論邱剛健的創作核心

Sex, Death, and Dramatic Elements: Exploring Chui Kang-Chien's Modern Poetry through "Selected Poems of the Sixties"

林餘佐(LIN Yu-Tso)

邱剛健 ； 商禽 ； 秀陶 ； 戲劇性 ； 《六十年代詩選》 ； Chui Kang-Chien ； Shang Qin ； Xiu Tao ； dramatic elements ； "Selected Poems of the 1960s"

中國現代文學

45期（2024 / 06 / 20）

173 - 205

繁體中文;英文

邱剛健以電影編劇聞名，晚年來以詩集《亡妻．Z．和雜念》重回臺灣詩壇。邱剛健生前不斷遷徙於香港、美國、中國北京，不少評論者都著重他的漂泊經驗。本文對邱剛健的追索從臺灣開始，將他安置於臺灣的1950-1960年代中，這是他創作與閱讀的起點。透過他所推崇的詩集《六十年代詩選》為討論開端，此研究路徑將有助於追索邱剛健一路以來的創作關懷與詩意構成的核心。本文在具體詩作的分析時歸納出三個特色：性、死亡、戲劇性，這是邱剛健創作中反覆出現的意象與最具辨識度的手法，經過本文的追索與討論，邱剛健可以視為臺灣現代詩壇中的異色、情色詩人。

Chui Kang-Chien, renowned for his work as a film scriptwriter, returned to the Taiwanese poetry scene in his later years with the poetry collection "Deceased Wife．Z．and Miscellaneous Thoughts." Throughout his life, Chiu constantly moved between Hong Kong, the United States, and Beijing, China, which has led many critics to focus on his experiences of wandering. This paper begins its exploration of Chiu Kang-Chien from Taiwan, situating him in the 1950s and 1960s, which marks the starting point of his creative and reading journey. Using his highly regarded collection "Selected Poems of the Sixties" as a starting point for discussion, this research path will help trace Chiu Kang-Chien's ongoing creative concerns and the core of his poetic composition. In analyzing his specific poems, three characteristics are identified: sex, death, and dramatic elements. These are recurring themes and the most recognizable techniques in Chiu's work. Through this exploration and discussion, Chiu Kang-Chien can be viewed as a distinctive and erotic poet in the Taiwanese modern poetry scene.