题名 |
視域融合:《文心雕龍》審美心物觀之建構論 |
并列篇名 |
Visional Integration: The Constructivism of Appreciation of Aesthetic as Well as Mind-matters of Wen-xin-diao-long |
DOI |
10.30407/BDCL.200512_(4).0002 |
作者 |
陶禮天(Li-Tian Tao) |
关键词 |
視域融合 ; 心物觀 ; 儒道釋 ; 言意觀 ; visional integration ; mind-matters thoughts ; Confucianism ; Daoism and Buddhism |
期刊名称 |
政大中文學報 |
卷期/出版年月 |
4期(2005 / 12 / 01) |
页次 |
3 - 28 |
内容语文 |
繁體中文 |
中文摘要 |
本文對《文心雕龍》審美心物理論之建構予以分析詮釋,通過對其「各種視域融合」的研究認為:先秦時期儒家重視心對物的積極作用,當是劉勰強調審美主體感物而動的思想基礎,是《文心雕龍》審美心物觀強調「物以貌求,心以理應」的重要理論「視域」,戰國至兩漢時期,從《易傳》、《呂氏春秋》、《禮記》及《春秋繁露》等著作中,可以看到儒學融人了陰陽五行的學說,其孕發了「氣之動物,物之感人」的文藝思想,並構成《文心雕龍》審美心物觀「物色感召」的基礎;劉勰審美「虛靜」說以及「入興貴閑」的理論,與道家「虛而待物」的思想也是貫通的;六朝時期玄學、佛學的心物觀念,特別是般若學的本無,即色、心無三宗思想,對《文心雕龍》審美心物觀的潛在作用也是深刻的;在心物與言意的關係上,劉勰認為心物交融的過程,正是以語言作為其「交融」的思維形式。《文心雕龍》這種心物交融的審美內涵,成為中國文學藝術創造的獨特特徵。 |
英文摘要 |
In this paper, Ⅰanalyze and interpret the theory of appreciation of aesthetic as ell as mind-matters of Wen-xin-diuo-long (《文心雕龍》) and through its study of various kinds of visional integration, the Confucians mind-matters thoughts in the Pre-Qing dynasty might be Liu-xie's (劉勰) thinking foundation. In the famous texts from Zhan-guo to the Han Dynasty. e can obviously find the combination among divinations and Confucianism. In addition, Liu-xie's opinions are related to Daoism and Buddhism. He thinks that the process of the integration is a thinking form by languages and influenced by different theories among Confucianism, Daoism and Buddhism. The purpose of this paper is to know that the mind-matters thoughts are Chinese inherent traditions and through Liu-xie's opinions especially the construction of Wen-xin-diao-long, they become the unique characters of Chinese art creations. |
主题分类 |
人文學 >
語言學 人文學 > 中國文學 人文學 > 藝術 |
参考文献 |
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被引用次数 |
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