論張曉風《嚴子與妻》對基督教文化的創造性轉換

On the Creative Transformation of Christian Culture in Zhang Xiaofeng's Yanzi and His Wife

10.29650/TCUJHSS.201906_(24).0004

田昊(Tian Hao)

莊子戲 ； 嚴子與妻 ； 基督教文化 ； 改編 ； Chuang-tzu Plays ； Yanzi and His Wife ； Christian culture ； adaptation

慈濟大學人文社會科學學刊

24期（2019 / 06 / 01）

106 - 125

繁體中文

中國傳統戲曲中的“莊子戲”中的“莊周試妻”情節自明末後漸漸演化為戲曲、戲劇的核心情節，歷來受到作家、戲劇家們的青睞。而馮夢龍的《莊子休鼓盆成大道》則成為歷來戲劇改編最重要的成型原文本。本文聚焦在張曉風的新編莊子戲《嚴子與妻》，擬以美國編劇學者拉約什．埃格裡（Lajos Egri）的“前提、人物和衝突”的三要素框架探討基督教文化對人性的理解是如何“創造性轉換”地注入傳統中國素材的戲劇改編中。

In traditional Chinese Opera, the plot of Chuang-tzu testing his wife in Chuang-tzu Plays evolved into the core plot in the opera from the late Ming Dynasty, which ever since has been favored by writers and playwrights. Also, Feng Menglong's Chuang-tzu's Beat of Bowl at His Wife's Death has become the most important fashioned source text in terms of play adaptation. This paper focuses on the newly complied Chuang-tzu Play Yanzi and His Wife by Zhang Xiaofeng. Based on the three-element framework (prerequisites, characters and conflicts) proposed by American scriptwriter Jagos Egri, the paper tentatively explores how the understanding of human nature in Christrian culture injects into the adaptation of traditional Chinese raw materials via creative transformation.

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