题名

眾聲喧嘩即倫理實踐:從Mikhail Bakhtin的語藝觀談起

并列篇名

Heteroglossia as the Practice of Ethics: A Perspective on Rhetoric from Mikhail Bakhtin

DOI

10.6195/cjcr.2014.26.05

作者

王孝勇(Hsiao-Yung Wang)

关键词

巴赫汀 ; 外在對話性 ; 倫理實踐 ; 眾聲喧嘩 ; 語藝 ; 諧擬展演 ; Mikhail Bakhtin ; outer dialogicity ; the practice of ethics ; heteroglossia ; rhetoric ; parodic performance

期刊名称

中華傳播學刊

卷期/出版年月

26期(2014 / 12 / 01)

页次

137 - 173

内容语文

繁體中文

中文摘要

本研究旨在從Mikhail Bakhtin的語藝觀,就眾聲喧嘩作為倫理實踐進行理論建構。首先,透過將眾聲喧嘩饒富辯證性與烏托邦色彩的倫理向度,本研究勾勒其語藝觀具體展現為詰問的必要性、倡議的有限/效性以及行動的策略性。其次,藉由Bakhtin複調小說作者與主角在外在對話性中重塑話語階層的主張,並進一步接合Butler的諧擬展演,本研究指出語藝言者策略性地依附於社會規約,但又能伺機暴露既定文化的強迫性與暴力性,即是眾聲喧嘩作為倫理實踐的語藝動能。

英文摘要

This study argues that heteroglossia should be regarded as the practice of ethics theoretically, based on Mikhail Bakhtin's perspective of rhetoric. This paper outlines dialectics and utopianism by referring to the necessity of rejoinder, the limitedness/effectiveness of advocacy, and the strategy of action inherent in the rhetoric of heteroglossia. Furthermore, a possible path is explored for practicing the ethics of heteroglossia by articulating Bakhtin's stratifications of language, as implicated in the outer dialogicity of polyphonic novels and Judith Butler's parodic performance. This study concludes that the ethics of heteroglossia might be embodied by temporary attachment to social prohibition; hereafter, the compulsory and contingent category of the pregiven cultural norms could be strategically disclosed through the rhetorical act of rhetor furthermore.

主题分类 社會科學 > 傳播學
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被引用次数
  1. 林乃文(2017)。運動之後,敘事解散—解讀九○年代前衛劇場《星之暗湧》和《白水》的「失語」敘事。戲劇學刊,26,59-84。
  2. 王孝勇(2016)。Mikhail Bakhtin「時空型」概念的視覺語藝意識與實踐之初探:以2014 年台北同志遊行為例。中華傳播學刊,30,143-178。
  3. 王孝勇(2016)。從小說話語看眾聲群像:評介巴赫汀之《對話的想像:四篇論文》。傳播研究與實踐,6(1),271-288。
  4. 王孝勇(2018)。告別杜思妥也夫斯基?晚期巴赫汀思想的空間語藝觀與其時間/實踐性。新聞學研究,136,185-222。
  5. 王孝勇(2018)。逆反時光、探訪視覺:視覺語藝的古典脈絡與其示現。傳播研究與實踐,8(2),213-248。
  6. 王孝勇(2019)。對話之外:從巴赫汀晚年「外部性」的觀點新義看理解的(不)可能性。政治與社會哲學評論,70,57-108。
  7. (2017)。生活即創作、真實再進化:歐美影視同人論壇的性/別幻想與實作。靜宜人文社會學報,11(1),225-280。