题名

杜甫七律章法規格化之研究

并列篇名

A Study of the Formalization of Writing Strategy of Du Fu's seven-words-eight-sentences Poetry

DOI

10.6999/DHJCS.200906.0199

作者

簡錦松(Chin-Sung Chien);陳怡婷(Yi-Ting Chen)

关键词

杜甫 ; 七言律詩 ; 章法 ; 身體動作 ; 規格化 ; Du Fu ; seven-words-eight-sentences poetry ; formalization ; writing strategy of poetry

期刊名称

東華漢學

卷期/出版年月

9期(2009 / 06 / 01)

页次

199 - 252

内容语文

繁體中文

中文摘要

杜甫之前,七言律詩處於草創時期,最常見的章法,是以中間四句寫景或四句敘事的格式來進行,這種格式的缺點是,容易偏倚於外間景物的描寫,或表相的對偶,不容易呈現詩人主體我的存在,杜甫七律新格顯然改革了這項缺失。 杜甫一生的七言律詩中,雖有不少是沿用上述前人傳下的章法,不過,他很快地就在前人成法之外,開創了一套穩定的七律格式,新格式的特點就是,重視主體我的實際參與,整首詩都是以詩人自已的身體動作,來主導詩意的進行;詩人先自定一個題目範疇,然後主動地進入詩中,進行一連串的動作,這些動作都與人類身體的自然律動相符,每個動作都按既定的程序運行,直到完成一首詩。 這種以既定程序來寫作七律的觀念,就是「規格化」,杜甫規格化以後的七律章法格式,可名之為「杜甫七律新格」。

英文摘要

The most common writing strategy of the seven-words-eight-sentences poetry before Du Fu, as in its initial stage, was in favor of narration or scenery description with the middle four sentences of the poetry. The shortcoming of such form lies in external description and exterior antithesis at the cost of the existence of poet's subjective self. Obiviously this shortcoming was amended with Du Fu's new strategy of writing. During Du Fu's lifetime, many of his seven-words-eight-sentences poems were written with strategies of former writers. However, not for long he established of his own a stable style for seven-words-eight-sentences poetry. The feature of the new style consists in the subjective engagement of the poet himself. In the whole poetry, the poet directs the procession of the contention with the movement of his body. During his writing, the poet proposes a range with the title of the poem first, then he enters his poem with a series of action which corresponds to the natural rhythm of body movements. Each of the movements follows the determined procedure until the poem is completed. I call ”formalization” the concept of writing seven-words-eight-sentences poetry with established procedure, and ”Du Fu's new style of seven-words-eight-sentences poetry” the ensueing writing strategy and style.

主题分类 人文學 > 人文學綜合
人文學 > 歷史學
人文學 > 語言學
人文學 > 中國文學
参考文献
  1. 全唐詩,卷226
  2. 五代劉昫撰(1975)。新校本舊唐書,卷4。北京:中華書局。
  3. 南宋歐陽忞(1985)。輿地廣記。臺北:新文豐出版社。
  4. 清仇兆鰲(1984)。杜詩詳註。北京:中華書局。
  5. 清清聖祖敕編、彭定求輯(1996)。全唐詩。北京:中華書局。
  6. 杜甫(1984)。斷句十三經·儀禮·士相見禮。臺北:臺灣開明書局。
  7. 陳尚君(1992)。全唐詩補編。北京:中華書局。
  8. 簡錦松(2006)。唐詩現地研究。高雄:中山大學出版社。
  9. 簡錦松、謝海平主編(2008)。杜甫夔州生活新證。唐代學術研討會論文集,臺北市:
被引用次数
  1. 許清雲(2013)。杜甫七律之會通與轉化。東吳中文學報,26,61-90。
  2. 簡錦松(2012)。唐初七律發展史跡新證─《全唐詩》王維卷以前七言律詩 147 首之考察。淡江中文學報,27,1-40。
  3. 簡錦松(2014)。杜甫、李商隱七律的根本差異示例─從吟詠聲情考察。東華漢學,19,77-120。
  4. 簡錦松(2017)。明代大運河詩文空間概念之新解讀。臺大中文學報,58,105-156。
  5. 徐國能(2012)。元好問杜詩學探析。清華中文學報,7,189-234。
  6. (2011)。胡仔詩學與宋詩宋調─《苕溪漁隱叢話》杜甫詩述評。文與哲,19,179-228。