英文摘要
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Discussing the literature of the Wei, Jin, Southern and Northern Dynasties, nowadays we generally consider that the Southern Dynasty's literary works to be better than the Northern Dynasty. Except for Wei Shou, Xing Shao, and Wen Zisheng, the so-called "Three Talents of the Northern Territory", there are no writers and literary works in the Northern Dynasties worth mentioning. This paper noticed that in the style of rhapsody, writers such as Cheng Xiao and Jiang Zhi brought the vulgarity to the literature system. The style of vulgarity is also related to local identity, state power, and cultural competition in the age of multi-polarity. This paper is divided into several parts. Firstly, clarify the relationship between the vulgarity rhapsodies of the Northern Dynasties. Secondly, focus on the formation of the language style, and the public evaluation towards this kind of writing style from the society at that time. Finally, focus on themes, contents, power symbols, and propaganda of the Northern Dynasty rhapsodies. In terms of literary history, the literature of the Southern Dynasties is indeed more valuable than the Northern Dynasty. However, if viewed from national politics' perspective, it is clear that the writing motives and the target readers of rhapsody are fundamentally different from other literary styles. Therefore, it is appropriate to interpret rhapsody in the context of politics, state, culture, and power. The discussion and construction of this paper could act as a supplement to the aspects regarding literary discussion that were not much discussed in the past.
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