書寫西洋鏡：論陸澹盦偵探影戲小說的跨文化轉化實踐

Writing the Shadow Magic: A Study on Lu Danan's Detective Film Novels and his Transcultural Transformation Practice

陳碩文(Shuo-win Chen)

陸澹盦 ； 影戲小說 ； 偵探小說 ； 美國通俗劇電影 ； 跨文化轉化 ； Lu Danan ； film novels ； detective novels ； American film melodrama ； transcultural transformation

興大人文學報

68期（2022 / 03 / 01）

41 - 76

繁體中文;英文

晚清民初中國翻譯文學盛行，偵探小說數量眾多，且受到廣泛歡迎。不讓偵探小說專美於前，西方偵探、冒險類型的通俗劇續集電影，也曾風靡中國。此類電影乃黑白默片，性質特殊，吸引不少作家「寫」電影——將觀看過的銀幕演出，用中文重新詮釋，即所謂的「影戲小說」——在當時也相當受歡迎。其中，身兼譯者、電影工作者、教師、編輯等職，也是影癡的小說家陸澹盦（1894－1980），於二○年代推出了改寫西方偵探冒險續集電影而成的《毒手》、《黑衣盜》、《紅手套》等文言影戲小說，後又推出了自己的白話偵探創作《李飛探案集》，其著譯作品，涉及了不同文化、文類及語言的視閾融合，進行著文字與影像間、西文與中文間、外來與本地文化間不同層次的交流與轉化，蘊藏著豐富的解讀可能，饒富學術意義。本文旨在爬梳陸澹盦偵探影戲小說的改寫、創作特色，探析其譯寫異國電影的跨文化實踐歷程及意涵，並分析其作如何折射出一個身處新舊交接的時代，在傳統與現代、新與舊的文化夾縫中不斷穿梭、跨界的中國現代文人身影。

During the late Qing and early Republican periods, translations of Western detective novels became popular in China. The reasons for these novels' popularity and how they inspired Chinese writers to create their own stories have attracted interest from numerous scholars. However, except for Sir Arthur Conan Doyle's famous Sherlock Holmes stories and its parody, little research has taken place on other notable translations and writers of the time. Novelist Lu Danan 陸澹盫 (1894-1980), who also worked as a translator, professor, filmmaker, editor, is one such individual who deserves more attention. After publishing several film novels translated and adopted from American film melodrama, such as Dushou 毒 手 (The Hidden Hand ), Heiyidao 黑衣盜 (The House of Hate), and HongShoutao 紅手套 (The Red Glove), Lu created his own beloved detective novels Lifei tananji 李飛探案集 (The Cases of Lifei ). After that, Lu entered the nascent film industry in China and participated in several filmmaking projects. Lu Danan's literary endeavors, namely, translation, writing, and making movies, related to several issues, such as the fusion of different languages, genres, and cultures, the transformation and interaction between literature and cinema, and the dialog between Chinese and Western literary traditions and cultural values. Through comparisons and close examination, this paper discusses the characteristics of Lu Danan's detective film novels. The paper also explores the connotations of Lu Danan's transcultural practice, including his translation, adaptation, and writing, to illustrate how his works represent a modern Chinese writer who continues to cross the gap between new and old, modern and traditional, during a historical period of significant transition.

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