當代紫砂壺造形初探－以二十世紀“王朱顧蔣”四名家為例

A Prelude for Modeling Style of Zisha Teapot-Quote Four Craft Masters in Twentieth Century

10.29480/CPAR.200710.0002

黃怡嘉(I-Chia Huang)；楊清田(Yang-Ching Tien)

紫砂壺 ； 圓器 ； 塑器 ； zisha teapot ； round teapot ； bionics teapot

藝術論文集刊

9期（2007 / 10 / 01）

31 - 54

繁體中文

The object of the research is four Chinese craft masters at the present age: Wang Yin Chun、Zhu Ke Xin、Gu Jingzhou and Jiang Rong. More than sixty years experience equip them excellent skill. As to different stages, analysis and comparison of creation of those who have deep influence are in progress herein. The conclusions of based on the modeling style-classified are as the following: (1)The statistics of the amount of their workmanship reveal: Sixty pieces (35.7%) for Gu Jingzhou＞thirty-eight pieces (22.6%) for Jiang Rong＞thirty-six pieces (21.4%) for Zhu Ke Xin＞thirty-four pieces (20.24%) for Wang Yin Chun. (2)For the modeling style-classified to find: Eighty pieces (48%) for round teapot＞sixty pieces (36%) for bionics teapot＞fourteen pieces (8%) for barred teapot and square teapot. The most amount in round and bionics teapots produce at that time reflects the need and the liking of society. (3)The most round teapots are from Gu Jingzhou and Wang Yin Chun, relatively bionics teapot are from Jiang Rong and Zhu Ke Xin. The results also conform to their creation styles. (4)To compare the amount of workmanship and respective period can lean the four craft masters have their own different blooming period. Those who have offer their most workmanship in 1956-1965 year, but all decreased in 1966-1970 year obviously.

The object of the research is four Chinese craft masters at the present age: Wang Yin Chun、Zhu Ke Xin、Gu Jingzhou and Jiang Rong. More than sixty years experience equip them excellent skill. As to different stages, analysis and comparison of creation of those who have deep influence are in progress herein. The conclusions of based on the modeling style-classified are as the following: (1)The statistics of the amount of their workmanship reveal: Sixty pieces (35.7%) for Gu Jingzhou＞thirty-eight pieces (22.6%) for Jiang Rong＞thirty-six pieces (21.4%) for Zhu Ke Xin＞thirty-four pieces (20.24%) for Wang Yin Chun. (2)For the modeling style-classified to find: Eighty pieces (48%) for round teapot＞sixty pieces (36%) for bionics teapot＞fourteen pieces (8%) for barred teapot and square teapot. The most amount in round and bionics teapots produce at that time reflects the need and the liking of society. (3)The most round teapots are from Gu Jingzhou and Wang Yin Chun, relatively bionics teapot are from Jiang Rong and Zhu Ke Xin. The results also conform to their creation styles. (4)To compare the amount of workmanship and respective period can lean the four craft masters have their own different blooming period. Those who have offer their most workmanship in 1956-1965 year, but all decreased in 1966-1970 year obviously.

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