論邱坤良《南方澳大戲院興亡史》中地方精靈的記憶與再現

Remembrance and Reappearance of the Genius Loci in Chiu Kun-Liang's A History of the Rise and Fall of Nanfangao Theatre

江寶釵(Pao-Chai Chiang)

邱坤良 ； 再現 ； 地方精靈 ； 場所精神 ； 南方澳大戲院 ； Chiu Kun-Liang ； reappearance ； local spirit ； Nanfangao Theatre

戲劇學刊

22期（2015 / 07 / 01）

7 - 24

繁體中文

邱坤良成長於南方澳，孩提時代是個不折不扣的「猴囝仔」，他摸進戲院看電影、畫諸葛四郎大戰魔鬼黨、跑去看金光布袋戲。一有廟會，戲劇上演，這個「猴囝仔」就在後臺像走灶腳一樣進進出出⋯⋯豐饒的童年預示了後來那位研究民間藝術學者的出現。本文將以《南方澳大戲院興亡史》為中心，探討邱坤良書寫中為這個世代敞開的「場所精神」。該書以故鄉南方澳為核心，記錄他的「鄉土」，寫童年生活、漁村景致，寫那些曾有的人、事，一切都在筆下被重新勾起並且記憶，以文字存留，賦予栩栩如生的形象。字行中透出紙背的微溫，以及淡淡的傷懷，不只是書寫主體的情感，也是被觀看的地方所具有的自主精神，透過特殊的修辭、敘事，達到觀者與地方互為主體的建構－筆者稱之為「地方精靈」，並指出這正是以現象學詮釋為基礎的人文地理學所追求的生命義涵的呈現。由於地方精靈，係書寫之修辭風格、敘事脈絡所營造。因而，加以品鑑，勢所必須。也許因為擁有豐富經履的緣故，邱坤良的文氣飽足，不多假美文修飾，寫來一氣直落到底。緣由文學性成就對場所精神的含納與凸現，使得邱坤良的散文作品在量並不多的狀況下，為臺灣散文創作史提出可貴的貢獻。

Chiu Kun-Liang grew up in Suao Township. During his childhood, he was truly a ＂monkey kid.＂ He sneaked into movie theaters, drew comics of Zhuge Silang (諸葛四郎) fighting the Gang of Devils (魔鬼黨), and attended performances of fantastical puppet shows. Whenever a temple hosted a play for a religious festival, this ＂monkey kid＂ would not only watch from the front but also go into the back stage. This childhood background helped to shape an emerging folk art scholar. This article centers its discussion on A History of the Rise and Fall of Nanfangao Theatre (《南方澳大戲院興亡史》) to investigate the ＂local spirit＂ that Chiu Kun-Liang released for our generation in his writing. This book's core is Suao Township, the author's ＂home village.＂ He recalls his childhood, scenery of the fishing village, and people and events that happened in the past. Everything surfaces back to memory through his writing and reappears vividly. His words contain warmness and sadness alike. These are not only feelings of the author but also comprise of an independent spirit found in those places. Through his unique rhetoric and narrative the author constructs a subject combining the viewer and the place, the ＂Local Wizard.＂ This reveals the meanings of life, the pursuit of humanist geographers whose study is based on phenomenology. The ＂Local Wizard＂ is born in his rhetorical writing style and narrative context, and merits consideration. Perhaps his plentiful experience and vigor helped him discover a straightforward style without bombastic elaboration. Although he is not a prolific prose writer, he has achieved a special place in literacy history because of his unique treatment of places.

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