“遊歷仙境”在明清家將小說中的運用探析

"Travel Over Fairyland"'s Usage in Ming Qing Jia Jiang Xiao Shuo in Discusses and Analyses

10.7037/JNTUHA.200706.0027

張清發(Ching-Fa Chang)

小說 ； 家將小說 ； 仙境 ； 遊歷仙境 ； Novel ； Jia jiang xiao shuo ； Fairyland ； Travel over fairyland

臺中教育大學學報：人文藝術類

21卷1期（2007 / 06 / 01）

27 - 44

繁體中文

「遊歷仙境」的情節在通俗文學中頗爲常見，然而目前學界對此「遊歷仙境」課題的研究，大都將材料範圍聚焦於六朝隋唐時期的小說，相比之下明清時期的講史小說則較少受到注意。事實上，在明清時期的「家將小說」中，非但有許多「遊歷仙境」的類似情節，而且由於其爲一批性質相近的類型小說，透過類似情節的共同探討，更可見其類型情節運用的意義。因此本文即以明清「家將小說」爲範圍，具體分析其「遊歷仙境」情節的運用情形，進而探究其運用意義，明確指出其不同於六朝隋唐小說的根本特色。

The details of ”travel over fairyland” is very familiar in the popular literature, however currently educational circles to the research of this ”travel over fairyland” topic, focus the material scope in six dynasties mostly Sui Tang the novel of the period, compare under clear and pure period of speak a history the novel then is subjected to an attention less. In fact, in ”Jia jiang xiao shuo” (家將小說) in the Ming Dynasty and the Manchu dynasty, not only there is the similar details of much ”travel over fairyland”, and due to it is a batch of properties close by type novel, through is similar to the common study of the details, but even it is thus clear that its type details usage of meaning. So this text take ”house novel” of the Ming Dynasty and the Manchu dynasty as scope namely, concretely analyzing the usage situation of its ”travel over fairyland” details, then investigating it to make use of meaning, understanding to point out it differs from six dynasty and Sui Tang novel of basic special features.