参考文献
|
-
Attneave, F.,Olson, R. K.(1971).Pitch as a medium : A new approach to psychophysical scaling.The American Journal of Psychology,84(2),147-166.
-
Bamberger, J. S.(1995).The mind behind the musical ear : How children develop musical intelligence.Cambridge, MA:Harvard University Press.
-
Bod, R.(2002).A unified model of structural organization in language and music.Journal of Artificial Intelligence Research,17,289-308.
-
Bower, G. H.,Hilgard, E. R.(1981).Theories of learning.Englewood Cliffs, NJ:Prentice - Hall.
-
Boyle, J. D.(1992).Evaluation of music ability.Handbook of research on music teaching and learning,New York, NY:
-
Cassidy, J.(2001).Listening maps : Undergraduate students ' ability to interpret various iconic representations.Update : Applications of Research in Music Education,19(2),15-19.
-
Chuang, W. C.(1997).East Lansing, Michigan,Michigan State University.
-
Consortium of National Arts Education Associations(1994).National standards for arts education.Reston, VA:Music Educators National Conference.
-
Costanza, A. P.(1971).Programed instruction in score reading skills.Journal of Research in Music Education,453-459.
-
Cuddy, L. L.(1971).Absolute judgment of musically - related pure tones.Canadian Journal of Psychology Revue canadienne de psychologie,25(1),42-55.
-
Cuddy, L. L.,Cohen, A. J.,Miller, J.(1979).Melody recognition : The experimental application of musical rules.Canadian Journal of Psychology Revue canadienne de psychologie,33(3),148.
-
Cuddy, L. L.,Upitis, R.(1992).Aural perception.Handbook of research on music teaching and learning,New York, NY:
-
Davidson, L.,Colley, B.(1987).s rhythmic development from age 5-7 : Performance, notation, and reading of rhythmic patterns.Music and child development,New York, NY:
-
Davidson, L.,Scripp, L.(1988).musical representations : Windows on cognition.Generative processes in music : The psychology of performance, improvisation, and composition,New York, NY:
-
De Gainza, V. H.(1970).Absolute and relative hearing as innate complementary functions of man's musical ear.Bulletin of the Council for Research in Music Education,13-16.
-
Deutsch, D.,Boulanger, R. C.(1984).Octave equivalence and the processing of tonal sequences.Music perception : An Interdisciplinary Journal,3,40-51.
-
Dowling, W. J.(1978).Scale and contour : Two components of a theory of memory for melodies.Psychological Review,85(4),341-341.
-
Dowling, W. J.,Harwood, D. L.(1986).Music cognition.New York, NY:Academic Press.
-
Dyson, M. C.,Watkins, A. J.(1984).A figurai approach to the role of melodic contour in melody recognition.Perception & Psychophysics,35,477-488.
-
Edworthy, J.(1982).Pitch and contour in music processing.Psychomusicology : Music, Mind & Brain,2(1),44-46.
-
Friberg, A.,Ahlbäck, S.(2009).Recognition of the main melody in a polyphonic symbolic score using perceptual knowledge.Journal of New Music Research,38(2),155-169.
-
Gembris, H.(2002).The development of music abilities.New handbook of research on music teaching and learning,New York, NY:
-
Gordon, E.(1993).Learning sequences in music : Skills, content, and patterns. A music learning theory.Chicago, IL:GIA Publications.
-
Gordon, E.(1978).A factor analytic study of tonal and rhythm patterns.Chicago, IL:GIA.
-
Gordon, E.(1971).The psychology of music teaching.Englewood Cliffs, NJ:Prentice - Hall.
-
Gromko, J. E.(1994).Children's invented notations as measures of musical understanding.Psychology of Music,22,136-147.
-
Gromko, J. E.,Russell, C.(2002).Relationships among young children's aural perception, listening condition, and accurate reading of graphic listening maps.Journal of Research in Music Education,50(4),333-342.
-
Grutzmacher, P. A.(1987).The effect of tonal pattern training on the aural perception, reading recognition, and melodic sight - reading achievement of first - year instrumental music students.Journal of Research in Music Education,35(3),171-181.
-
Hargreaves, D. J.,Zimmerman, M. P.(1992).Developmental theories of music learning.Handbook of research on music teaching and learning,New York, NY:
-
Hebb, D. O. (1949). The organization of behavior. New York, NY : Wiley.
-
Holahan, J. M.,Saunders, T. C.(1997).Children's discrimination of tonal patterns : Pattern contour, response time, and item difficulty level.Bulletin of the Council for Research in Music Education,132,85-101.
-
Holahan, J. M.,Saunders, T. C.,Goldberg, M. D.(2000).Tonal cognition in pattern discrimination : Evidence from three populations.Journal of Research in Music Education,48(2),162-177.
-
Howell, P.(Ed.),Cross, I.(Ed.),West, R.(Ed.)(1985).Musical structure and cognition.London, UK:Academic Press.
-
Huron, D.(2006).Sweet anticipation : Music and the psychology of expectation.Cambridge, MA:MIT Press.
-
Jones, M. R.(2010).Music perception : Current research and future directions.Music perception,New York, NY:
-
Krumhansl, C. L.(1990).Cognitive foundations of musical pitch.New York, NY:Oxford University Press.
-
Leonhard, C.,House, R. W.(1972).Foundations and principles of music education.New York, NY:McGraw - Hill.
-
Levy, K.(2001).A dissertation degree of Doctor.
-
MacKnight, C. B.(1975).Music reading ability of beginning wind instrumentalists after melodic instruction.Journal of Research in Music Education,23(1),23-34.
-
McDonald, D. T.,Ramsey, J. H.(1979).A study of musical auditory information processing of preschool children.Contributions to Music Education,7,2-11.
-
Mursell, J. L. (1937). Psychology of music. New York, NY : W. W. Norton.
-
Ortmann, O. (1926). On the melodic relativity of tones. Psychological Monographs, 35 (1), 1-35.
-
Pearce, M.,Wiggins, G.(2012).Auditory expectation : The information dynamics of music perception and cognition.Topics in Cognitive Science,4,625-652.
-
Povel, D. J.,Essens, P.(1985).Perception of temporal patterns.Music Perception : An Interdisciplinary Journal,2(4),411-440.
-
Radocy, R. E.,Boyle, J. D.(2012).Psychological foundations of musical behavior.Springfield, IL:Charles C Thomas.
-
Ramsey, J. H.(1983).The effects of age, singing ability, and instrumental experiences on preschool children's melodic perception.Journal of Research in Music Education,31(2),133-145.
-
Raphael, C.,Stoddard, J.(2004).Functional harmonic analysis using probabilistic models.Computer Music Journal,28(3),45-52.
-
Rasch, R. A.(1985).Perception of melodic and harmonic intonation of two - part musical fragments.Music Perception : An Interdisciplinary Journal,2(4),441-458.
-
Sadakata, M.,Desain, P.,Honing, H.(2006).The Bayesian way to relate rhythm perception and production.Music Perception : An Interdisciplinary Journal,23(3),269-288.
-
Schwadron(1967).Aesthetics : Dimensions for music education.Washington, DC:Music Educators National Conference.
-
Serafine, M. L.(1988).Music as cognition : The development of thought in sound.New York, NY:Columbia University Press.
-
Sergeant, D.,Roche, S.(1973).Perceptual shifts in the auditory information processing of young children.Psychology of Music,1(2),39-48.
-
Sloboda, J. A.(1985).The musical mind : The cognitive psychology of music.New York, NY:Oxford University Press.
-
Smith, K. C.,Cuddy, L. L.,Upitis, R.(1994).Figural and metric understanding of rhythm.Psychology of Music,22,117-135.
-
Smith, L. A.,McNab, R. J.,Witten, I. H.(1998).Sequence - based melodic comparison : a dynamic programming approach.Melodic similarity : concepts, procedures, and applications,Cambridge, MA:
-
Stoffer, T. H.(1985).Representation of phrase structure in the perception of music.Music Perception : An Interdisciplinary Journal,3(2),191-220.
-
Taylor, J. A.(1971).Seattle, Washington,University of Washington.
-
Temperley, D.(2014).Probabilistic models of melodic interval.Music Perception : An Interdisciplinary Journal,32(1),85-99.
-
Temperley, D.(2007).Music and probability.Cambridge, MA:MIT Press.
-
Thompson, W. F.(2004).From sounds to music : the contextualizations of pitch.Music Perception : An Interdisciplinary Journal,21(3),431-456.
-
Tsuzaki, M.(1991).Effects of the preceding scale on melodic interval judgment in terms of equality and size.Music Perception : An Interdisciplinary Journal,9(1),47-70.
-
Upitis, R.(1990).Children's invented notations of familiar and unfamiliar melodies.Psychomusicology,8(2),151-161.
-
Upitis, R.(1987).Children's understanding of rhythm : The relationship between development and music training.Psychomusicology,7(1),41-60.
-
Walker, R.(1992).Auditory - visual perception and musical behavior.Handbook of research on music teaching and learning,New York, NY:
-
心理與教育測驗研究發展中心(2012).國民中學學生學習成就評量標準 (試行版) : 藝術與人文學習領域.臺北市:國立臺灣師範大學.
-
李君儀(2004)。臺北市,國立台北師範學院。
-
阮璿文(2015)。臺北市,國立臺灣師範大學。
-
國家教育研究院(2014)。國家教育研究院 (2014) 。 十二年國民基本教育課程綱要總綱 (草案) 。 臺北市 : 國家教育研究院 。
-
教育部 (2018) 。 十二年國民基本教育課程綱要 - 藝術領域 。 臺北市 : 教育部 。
-
教育部 (2008) 。 國民中小學九年一貫課程綱要 - 藝術與人文學習領域 。 臺北市 : 教育部 。
-
教育部(2001).國民中小學九年一貫課程暫行綱要.臺北市:教育部.
-
許瑾(2004)。臺北市,國立台北師範學院。
-
郭芳吟(2013)。臺北市,臺北市立大學。
-
程緯華(1997)。行政院國家科學委員會補助專題研究報告行政院國家科學委員會補助專題研究報告,臺北市:國科會微縮小組。
-
黃怡娟(2004)。臺北市,國立台北師範學院。
-
蘇郁惠(1998)。臺北市,國立政治大學。
|