跨時代的奇幻想像：探索奇幻藝術與創作行為關係

Transcending Eras in Fantasy Imagination: Exploring the Relationship between Fantastic Art and Creative Expression

劉巧璇(Chiao-Hsuan Liu)

奇幻藝術 ； 奇幻繪畫 ； 當代奇幻藝術 ； 想像力 ； fantastic art ； fantastic art in painting ； contemporary fantasy art ； imagination

臺中教育大學學報：人文藝術類

38卷1期（2024 / 06 / 01）

25 - 46

繁體中文;英文

奇幻藝術、奇幻文學都有著奇幻及想像的故事，而奇幻繪畫更具有引人入勝的視覺與內容。本篇研究源於筆者搜尋奇幻藝術資料時發現Fantasy Art與Fantastic Art兩詞混用頻繁且中文翻譯難以區分差異，無論譯成奇幻藝術、奇想藝術、奇妙藝術、幻想藝術，瀏覽顯示的作品其視覺表現也極為相似，因此進行奇幻藝術名詞解釋，分析奇幻藝術作品及文獻資料，將當代奇幻藝術與傳統奇幻藝術分離，探討奇幻藝術的風格與定義以及與奇幻文學、「第二世界」的關聯性；接著列舉跨時代以「奇幻的、想像的」為創作基礎的作品，從藝術家創作的靈感來源歸納奇幻元素，試圖追溯奇幻藝術在藝術史上的發展脈絡，與其尚未被定義的藝術風格，最後總結奇幻藝術在繪畫上的特色。

Fantastic art and fantasy literature both encompass captivating stories filled with fantasy and imagination, with fantasy painting emphasizing compelling visual presentation and content. The genesis of this study stems from the author's discovery during the search for fantastic art-related information, finding the frequent interchangeability of the terms "Fantasy Art" and "Fantastic Art," making it challenging to differentiate their nuances in Chinese translation. Regardless of whether they are translated as fantastic art, imaginative art, marvelous art, or fantasy art, the visual expressions displayed are remarkably similar. Therefore, this study aims to elucidate the terminology of fantasy art and fantastic art, analyze the distinction between contemporary and traditional fantastic art, explore the styles and definitions of fantastic art, and investigate its relationship with fantasy literature and "The Secondary World". Subsequently, it enumerates works spanning different eras that are based on the foundation of "fantastic" and "imaginative," synthesizing fantasy elements from the inspiration behind artists' creations. The study attempts to trace the developmental context of fantastic art in art history, considering its yet-to-be-defined artistic style, and ultimately concludes by summarizing the distinctive features of fantastic art in painting.