题名

宗白華書法美學初探

并列篇名

Study on Zong Baihua's Aesthetics of Calligraphy

作者

張素升

关键词

宗白華 ; 書法 ; 美學 ; 永字八法 ; Zong Baihua ; Calligraphy ; Aesthetics ; Eight Principles of Yong

期刊名称

明道學術論壇

卷期/出版年月

10卷4期(2018 / 12 / 01)

页次

11 - 25

内容语文

繁體中文

中文摘要

宗白華是美學的耕耘者,本論文旨在探究其書法美學思想,彰顯書藝的精神內涵及重要性。首先,分析宗白華的生平背景,明白其美學思想之淵源為何;其次,探究宗白華的書法意境美學,領悟情景交融的內涵;再者,探討宗白華對書藝中用筆、結體、章法等基本範疇的詮釋。本文採用文獻資料法、歸納法、美學思想分析法等。大致言之,第一,宗白華生長在文人世家,受到周易、儒家、道家、禪宗的思想薰陶,留學德國時,則受康德和叔本華等的哲學影響,合而成為宗白華的美學基石。第二,「書法意境」是書家從生活中體驗,寫出有意味的書法藝術,以張旭為例,其酣醉後,快速書寫,抒發其喜怒憂悲的情緒,印證書法的情景交融。第三,宗白華論書法範疇,其中用筆以智永的永字八法為依歸,結體以歐陽詢的真書字體結構法三十六條為規律,章法以相管領和應接為原則。宗白華提出「書法美學」,影響後世深遠,在書法史上功不可沒。

英文摘要

Zong Baihua is a cultivator of aesthetics, which possesses diverse aesthetic ideology, as well as to highlight its spiritual connotation and importance. The study analyzes Zong Baihua's life and background and gains insights into the origin of his aesthetic ideology. It also inquires the realm aesthetics of Zong Baihua's calligraphy and perceives its connotation of the blend of emotion and scenery. Furthermore, the study explores Zong Baihua's interpretation on the basic categories in calligraphy such as brush techniques, structures of characters, and the layout of characters in a work. This study adopted several research methods including document research, inductive method, and analysis of aesthetic ideology. There are three main points based on the analysis: (1) Zong Baihua, who was cultivated by the ideology of Zhouyi, Confucianism, Taoism, and Zen growing up in the literary family and influenced by Immanuel Kant's and Arthur Schopenhauer's philosophies studying in Germany, developed his unique aesthetic foundation. (2) The realm of calligraphy is the significant calligraphy art created by a calligrapher through his life experience; for instance, Zhang Xu performed his cursive art after being drunk and expressed his emotions such as happiness, melancholy and sadness in support of the blend of emotion and scenery of calligraphy. (3) Based on Zong Baihu's discussions on calligraphic categories, his brush techniques conform to Zhiyong's Eight Principles of Yong, his structures of characters follows Ouyang Xun's Thirty- Six Rules in the character structure of regular script, and his layout of characters in a work is built on the principle of "Xiang Guanling" (i.e. the rule on the continuation of the energy flow) and "Yinjie" (i.e. the principle of act-and response). Zong Baihua, who proposed aesthetics of calligraphy, has a profound influence on later generations and his contribution to calligraphy should not be neglected.

主题分类 人文學 > 人文學綜合
工程學 > 工程學綜合
社會科學 > 社會科學綜合
参考文献
  1. 郭益悅(2011)。從道家思想論魏晉王羲之書法美學。明新學報,37(2),87-100。
    連結:
  2. 蘇子敬(2009)。陳丁奇述論書法創造之根本原理 — 主體自由與宇宙自然的諧和。書畫藝術學刊,7,55-97。
    連結:
  3. 上海書畫出版社(編)(2004).歷代書法論文選.上海:上海書畫出版社.
  4. 王之麒(重勘)(1995).黃自元讀書樂.臺南市:世鋒出版社.
  5. 王治軍(編),陳虎(編)(2013).一本就通:中國書法.臺北市:聯經出版事業.
  6. 王德勝(2007).散步美學:宗白華美學思想探析.臺北市:台灣商務印書館.
  7. 江育民(修復)(2016).東漢乙瑛碑.臺北市:蕙風堂筆墨.
  8. 吳怡(2016).新譯老子解義.臺北市:三民書局.
  9. 李郁周(2003).中國書史書跡論集.臺北市:蕙風堂筆墨.
  10. 李醒塵(1996).西方美學史教程.臺北市:淑馨出版社.
  11. 杜忠誥。《書道技法 1·2·3》。臺北市︰雄獅圖書,1941 年 5 月四版三刷。
  12. 周芬伶(2016).美學課.臺北市:九歌出版社.
  13. 宗白華(1994).宗白華全集.安徽:教育出版社.
  14. 宗白華(2006).美學散步.上海:上海人民出版社.
  15. 邱振中(2012).書寫與觀照 — 關於書法的創作、陳述與批評.北京:中國人民大學出版社.
  16. 張光賓(編)(1981).中華書法史.臺北市:臺灣商務印書館.
  17. 莊舒雯(2011)。臺北市,國立臺灣大學中國文學研究所。
  18. 郭建勳(注譯),黃俊郎(校閱)(2012).新譯易經讀本.臺北市:三民書局.
  19. 陳丁奇(2002).書道教育概說.臺北市:蕙風堂筆墨.
  20. 陳望衡(2005).中國美學史.北京:人民出版社.
  21. 陳朝平(2000).藝術概論.臺北市:五南圖書.
  22. 游國慶(編)(2012).二十件非看不可的故宮金文.臺北市:國立故宮博物院.
  23. 華正人(編)(1997).現代書法論文選.臺北市:華正書局.
  24. 黃錦鋐(注譯)(2011).新譯莊子讀本.臺北市:三民書局.
  25. 黑格爾(1979).美學.北京:商務印書館.
  26. 劉景向(編),劉祖樑(編)(1992).黃自元正楷字帖.臺南市:大眾書局.
  27. 劉濤(2004).書法鑑賞.臺北市:文津出版社.
  28. 蕭湛(2006).生命 • 心靈 • 意境:論宗白華生命美學之體系.上海:上海三聯書店.
  29. 簡月娟(2003)。宗白華書法美學之後設思考。空大人文學報,12,63-77。