题名 |
抒情傳統與現代-黃仲則詩在民國 |
并列篇名 |
Lyric Tradition in Modern: The Reception of Huang Zhongze's Poems in Mingguo Period |
DOI |
10.6187/tkujcl.201312.29n-2 |
作者 |
葉倬瑋(Cheuk-Wai Yip) |
关键词 |
黃仲則 ; 章衣萍 ; 綺艷詩 ; 抒情傳統 ; 文學革命 ; Huang Zhongze ; Zhang Yiping ; Love poems ; Lyric tradition ; Literature revolution |
期刊名称 |
淡江中文學報 |
卷期/出版年月 |
29期(2013 / 12 / 01) |
页次 |
407 - 437 |
内容语文 |
繁體中文 |
中文摘要 |
上世紀二、三十年代,清代詩人黃仲則得到文學研究者的熱切關注,相關文章多不勝數。本文透過比對清代和民國時期對黃仲則的論說,指出民國的黃仲則研究焦點與清人不同,而這個熱潮與新文學建設的學術背景又有密切關係。郁達夫、章衣萍等人的書寫,奠定了黃仲則研究的新路向,踵武者嗣響不絕。這些書寫發掘、提煉黃仲則的戀愛故事,以抒情為書寫基點,突破了文體、語言形式的限制,回應了五四以來文學革命背景下,文學研究者對文學的新要求。 |
英文摘要 |
Huang Zhongze, a poet of Qing Dynasty, was being a hot topic in literary research in Mingguo period, especially in '20s to '30s of 20th century. This paper compares the views of several scholars in Qing dynasty and Mingguo period, describes the differences of those views, in regards to the academic background in the early 20th century. The writings by Yu Dafu and Zhang Yiping introduced a new direction of Huang Zhongze research which was followed by many researchers. 'Love story' became the focus of such researches. These writings are lyrical, break through the restriction in literary style, forms and language. Moreover, they also responded to the new requirements argued by literature researchers, in the background of literature revolution in May Fourth Movement. |
主题分类 |
人文學 >
語言學 人文學 > 中國文學 人文學 > 藝術 |
参考文献 |
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被引用次数 |
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