英文摘要
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Inscriptions flourished during the Tang Dynasty and also represented an important turning point in the history of Chinese garden development. From the nobility estate, there gradually developed the main form of a literati garden. In the process of development, stele inscriptions in garden appear in material form and become a target of people attention. At the same time, Those Inscriptions serve also to form landscape changes and meaningful topics for interpretation. This article attempts to focus on how such inscriptions are written and interpreted that also participate in the shaping the local living experience. From three representative cases, the article will discuss three sets of interpretive issues. First, using Wang Zhong-shu's Yan-xi pavilion as an example, Han Yu's "Yanxi tingchi (An Account of Yanxi Pavilion" interpreted the nature of Pavilions in specific places and estimate their central meaning. It is believed that Han Yu's writing and Wang Zhong-shu's building created the memory of future generations about Yan Xiting and even Lianzhou. Next, we look at Yuan Jie's example about Wu Creek, observing how the scenery had been discovered, named, wrote and engraved in stone, to shape the landscape of the cliff stone. In particular, the stele of "Datang Zhongxing Song (Appraisal for Tang's Prosperity) " had also led to the continuous dialogue of future generations. These works form a world of intertextuality with multiple voices intertwined. Finally, using Fan Zongshi's "Jiangshouju Yuanchi (Garden of Governor residence)" as an example, the article discusses Fan Zong-shi's association with the garden in essay, monument and article style. Utilizing local history and landscape, Fan Zongshi's article style created visibility to accentuate the garden and became a compelling topic of discussion for the area's descendants.
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