英文摘要
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This paper intends to explore if ”Nine Songs” implies Chü Yuan's 'personally bitter smoldering', which was just like Wang Yi said, from two ways of theoretical discourse and textual analysis. From the aspect of theoretical discourse, I am going to confirm the religious and mythological characteristics of ”Nine Songs” first and the next, demonstrate the relationship between the mythology and human beings' psychological conscious as well as their literary creation; moreover, I will verify the precise meaning of mythology which is where the undertones of the literary creators' private emotions and intentions hided so as to observe the possibilities of that Chü Yuan allegorized his self-sorrowed emotions by the religious songs of gods worship. As regards the textual analysis, I'll carefully discuss the poems in ”Nine Songs”, analyze their textual gists and peculiar emotional appeal, and then conclude their structural motif of 'leaving-returning/loneliness'; furthermore, by means of 'intertextually' reading with Chü Yuan's other works, I will read between the lines to unravel the author's private emotions and intentions which was concealed in ”Nine Songs.” This research tries to investigate much deeper whether or not Wang Yi's statements are worthy of consideration and hopes to avoid presuming flatly that Wang's opinion are inadvisable completely or advisable absolutely, just according to the textually exterior quality of ”Nine Songs” and its cultural function.
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