题名 |
吳淇對抒情與擬作的看法—以《六朝選詩定論》評陸機擬古詩為例 |
并列篇名 |
Wu Qi's View on Lyric and Imitation Poems: Using "The Criticism of Final Conclusion of the Poetry Selection of Six Dynasties about Lu Chi's Nigu" as an Example |
DOI |
10.30091/JCDNCHU.201206.0004 |
作者 |
鄭婷尹(Ting-Yin Cheng) |
关键词 |
吳淇 ; 《六朝選詩定論》 ; 陸機 ; 擬古詩 ; Wu Qi(吳淇) ; Final Conclusion of Poetry Selection of Six Dynasties(六朝選詩定論) ; Lu Chi(陸機) ; Nigu(擬古) |
期刊名称 |
興大中文學報 |
卷期/出版年月 |
31期(2012 / 06 / 01) |
页次 |
93 - 126 |
内容语文 |
繁體中文 |
中文摘要 |
明清階段有不少與六朝相關而質精的詩評,然近現代學者對此之關照尚稱有限,故容有多處值得探索,吳淇《六朝選詩定論》即是其一。聚焦至抒情與擬作來談,吳淇擅長透過形構的分析闡釋詩情,並能精確解析情意的轉變或深化。擬作因其為「擬」,一般多會被質疑情感是否真摯。陸機詩風以華美著稱,其擬作亦難跳脫此疑惑。然透過吳淇對陸擬詩的闡發,不論是與原作細細相較,或是就擬作形構一一拆解,俱可見在吳淇眼中,陸擬作實不乏委婉深延的情意,擬作與真情不相矛盾的可能性,或可由吳氏之評得一反思。就詩歌批評史的發展而言,吳淇之論誠具備相當之價值:吳氏之前,詩評多以直觀方式呈現,吳淇卻能更具體、有所依據地分析,這無疑使古典詩歌的闡析更具客觀性。專就陸機擬作而言,吳淇以前不是留意陸詩之形製,即是貶抑其乏情,然透過吳氏的解析,除了使我們對陸詩情感有更深切的理解,吳論也打破前此詩評家對陸機擬作缺乏情感與生命力的負面觀感,提供我們重新省思的空間。此外,近現代學者也出現一派觀點,重新肯認陸擬作之情,此雖不必然受吳淇影響,但可確定的是:吳氏肯定陸機擬作之情感,在詩評史上誠有導夫先路的重要性。 |
英文摘要 |
The Ming and Qing Dynasties have many good criticisms about the poems in Six Dynasties, but recent researches don't show much concern about it. This situation leaves us a lot of chances to explore the poetry selection or criticism in the Ming and Qing Dynasties, one of these is ”Final Conclusion of Poetry Selection of Six Dynasties” written by Wu Qi.Focusing on lyric and imitations of poems, Wu Qi was good at elucidating lyric by analysing the poems's composition. As to imitations of poems, people often doubt if the emotions are true because of the imitations, and Lu Chi's ”Nigu (imitations of Nineteen Old Poems(古詩十九首))” cannot get rid of this doubt as well. However, Wu Qi tried to compare Nineteen Old Poems with Nigu and analyzed the compositions of Nigu carefully. By observing Wu Qi's criticism, we can finally find that Nigu's emotions may be true indeed.In the history of poetry criticism development, Wu Qi's points are really valuable. Before Wu Qi, poetry criticism often directly perceives through the senses. However, the way Wu Qi analyzed poems seems more objective. Besides, critics either take care of the compositions of Nigu or think Nigu lacks true emotions before Wu Qi. But by Wu's analyses, we can understand Nigu's emotions deeply and break the former negative impression. Moreover, some recent researches approve Nigu's emotions, it may be influenced by Wu Qi. To sum up, Wu's points are indeed important in the history of approving Nigu's emotions. |
主题分类 |
人文學 >
人文學綜合 人文學 > 語言學 人文學 > 中國文學 |
参考文献 |
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