| 题名 |
戲劇中的民眾記憶與歷史再現──以高雄春天藝術節《見城》劇本創作為例 |
| 并列篇名 |
"Public Memory and Historical Representation in Drama: A Case Study on the Script Creation of 'Old Fongshan City History' in the Kaohsiung Spring Arts Festival" |
| DOI |
10.7020/JTCT.202306_(28).0002 |
| 作者 |
劉建幗(Chien-Kuo , Liu) |
| 关键词 |
《見城》 ； 民眾記憶 ； 高雄春天藝術節 ； 歌仔戲 ； 豫劇 ； Taiwanese Opera ； Environmental Theater ； Old Fongshan City History ； Collective memory ； Kaohsiung Spring Arts Festival |
| 期刊名称 |
戲曲學報 |
| 卷期/出版年月 |
28期（2023 / 06 / 01） |
| 页次 |
33 - 64 |
| 内容语文 |
繁體中文;英文 |
| 中文摘要 |
《見城》為高雄市政府文化局主辦自製節目，以古蹟「左營舊城」東門及城牆遺跡為演出主體場域，演出後廣獲好評，評論認為「堪稱近幾年台灣環境劇場的經典之作」，於2018年再度演出《見城》升級版。該劇緣起於「文化部再造歷史現場專案計畫」補助、高雄市政府規劃之「左營舊城見城計畫」之一環，並將本劇定位為「百年古蹟環境劇場」。因此，「歷史」成為《見城》劇本創作主要命題。編劇創造出將「左營舊城」擬人化的「石城君」一角，將民眾對歷史的陌生與遺忘的現象，延伸為石城君的失憶症狀，由此展開一場穿梭時空，找回歷史記憶的旅程。《見城》一劇的有趣之處，不僅在於透過戲劇「再現」歷史的過往，更在劇中呈現了「民眾記憶」的概念──由於臺灣歷史文化的複雜與多元，使得民眾記憶在不同的族群與時空，因政治、時代等因素而出現遺失、重建或轉化的情形。本文嘗試從民眾記憶的角度，以「民眾記憶的消散」、「集體記憶的共鳴」、「集體記憶的遺失」、「集體記憶的重建」、「集體記憶的轉化」這五個面向，分析《見城》的劇本內容與民眾記憶之間的關係。記憶與歷史過往的結合、斷裂與混淆的現象，如何在《見城》一劇中透過史料與戲劇演出被展現。 |
| 英文摘要 |
"Old Fongshan City History" is a self-produced and hosted program by the Bureau of Cultural Affairs, Kaohsiung City Government, using the national historic site, "Zuoying Old City" eastern gate and city wall ruins, as the primary performance venue. After the performance, it was widely praised, with critics deeming it "a masterpiece of Taiwan's Environmental Theater in recent years". An upgraded version of "Old Fongshan City History" was staged again in 2018. The play originated from the Ministry of Culture's Project on Regeneration of Historic Sites and is a part of the "Zuoying Old City Visualization Plan" mapped out by the Kaohsiung City Government. The play's positioning as a "Century-Old Historic Site Environmental Theater" made "history" the central theme of the "Old Fongshan City History" script. The playwright ingeniously personified "Zuoying Old City" through a character named "Shi Cheng Jun" (Mr. Stone Fortress). The general public's unfamiliarity with and oblivion of history are metaphorically depicted through Shi Cheng Jun's amnesia, embarking on a journey through time to retrieve lost historical memories. One unique aspect of "Old Fongshan City History" is not just its dramatization of the past but also its portrayal of "public memory". Due to Taiwan's intricate and diverse historical culture, public memory across different ethnicities and eras gets shaped by politics and time, leading to its loss, reconstruction, or transformation. This study explores the relationship between the script of "Old Fongshan City History" and public memory from perspectives like "dispersion of public memory", "resonance of collective memory", "loss of collective memory", "reconstruction of collective memory", and "transformation of collective memory". How memory and historical events intermingle, disconnect, and get muddled is vividly portrayed in "Old Fongshan City History" through historical archives and theatrical performance. |
| 主题分类 |
人文學 >
藝術 |
| 参考文献 |
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