車鼓音樂【元宵十四五】之探源

The source of the Che Gu music "Yuan Siao Shih Sih Wu"

10.7020/JTCT.202306_(28).0004

章玉人(Chang, Yu-Jen)

【元宵十四五】 ； 車鼓音樂 ； 南管音樂 ； 車鼓陣 ； 小戲 ； Yuan Siao Shih Sih Wu ； Che Gu music ； Nan guan music ； Che Gu Zhen ； Xiao-xi

戲曲學報

28期（2023 / 06 / 01）

101 - 134

繁體中文;英文

臺灣民間藝陣團體相當多樣化，因應不同的演出場合，會有不同類型的藝陣團體與表演形式，其中，臺南因為廟宇眾多，廟會活動十分熱絡，而臺南市政府也積極地保存在地文化資產，因此，許多臺南的民間藝陣團體仍然持續的傳承至今，尤其，藝陣團體中的車鼓陣是相當具有舞台渲染力的文陣。筆者於2020年參與臺南市西港區車鼓陣的田野調查，發現車鼓陣音樂許多是由南管音樂轉化而來，而西港區「東港澤安宮車鼓牛犁陣團」的車鼓【元宵十四五】即有此現象。本文主要分析車鼓音樂與南管音樂之異同，以探究此二樂種之關係。本文研究車鼓音樂探源步驟，首先從南戲《荔鏡記》陳三五娘〈登樓拋荔〉、〈陳三得病〉、〈五娘刺繡〉和〈敘別發配〉與南管曲【元宵十五】之唱詞進行比較分析；其次再將車鼓【元宵十四五】與南管曲【元宵十五】之唱詞進行比較異同。最後則是將車鼓【元宵十四五】與南管曲【元宵十五】音樂結構進行比較分析，探究車鼓音樂與南管音樂的脈絡關係。本文以田野調查法與資料蒐集法對車鼓【元宵十四五】與南管曲【元宵十五】進行比較分析，同時會就劇情、唱詞與旋律做比較，探究車鼓音樂與南管音樂之間的脈絡。期望透過本文之研究成果，可以提供給車鼓音樂與南管音樂的相關研究者與愛好者，並從中了解車鼓與南管之間互相的影響性。

Taiwan folk art array groups are quite diverse, according to different performance occasions, there will be different types of art groups and performance forms. Tainan has many temples, temple activities are very hot, and the Tainan Municipal Government also actively preserves the local cultural assets. Therefore, many Tainan folk art groups continue to inherit to this day. In particular, the art array in the Che Gu array is quite a stage rendering of the artistic array. In 2020, the author participated in the field investigation of the Che Gu array in Xigang District, Tainan City, and found that many of the Che Gu array music was transformed from Nan Guan music. The Che Gu Yuan Siao Shih Sih Wu of the "Dong Gang Ze An Palace Che Gu Niou Li array " in Xigang District had this phenomenon. This paper mainly analyzes the similarities and differences between Che Gu music and Nan Guan music to explore the relationship between these two music types. This paper studies the steps of exploring the source of Che Gu music. First, from the Nan-xi "Li Jing Ji" Chen San Wu Niang "Climbing the tower to throw lychee", "Chen San got a disease ", "Wu Niang embroidery" and " Farewell and exile " and the Yuan Siao Shih Wu of Nan Guan Song‘s lyrics are compared and analyzed; Secondly, the Yuan Siao Shih Sih Wu of Che Gu is compared with the lyrics of the Yuan Siao Shih Wu of Nan Guan Song. Finally, the musical structure of the Yuan Siao Shih Sih Wu of Che Gu and the Yuan Siao Shih Wu of Nan Guan Song is compared and analyzed, and the relationship between the Che Gu music and the music of the Nan Guan is explored. This paper uses the fieldwork method to compare and analyze the Yuan Siao Shih Sih Wu of Che Gu and the Yuan Siao Shih Wu of Nan Guan Song. At the same time will compare the melody, lyrics, and plot, and explore the context between Che Gu music and Nan Guan music. It is hoped that the research results of this paper, can be provided to researchers and enthusiasts related to Che Gu music and Nan Guan music, and understand the mutual influence between Che Gu and Nan guan.

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