十首豐濱阿美族豐年祭歌的分析研究

Analytical Lyric and Rhythm Research of the Amis Harvest Festival: Ten Songs from the Fong-Bin Village

10.29910/TJIS.201009.0007

巴奈‧母路(Panay Mulu)

阿美族 ； 祭歌 ； 音程 ； Amis ； ceremony ； interval

台灣原住民族研究季刊

3卷3期（2010 / 09 / 01）

197 - 229

繁體中文

台灣原住民音樂承載許多文化，特別是阿美族的豐年祭祭歌。本研究將以筆者於1990-2010年間在花蓮縣豐濱鄉進行阿美族豐年祭田野時，所採錄經常被唱出的十首曲子，進行旋律的分析研究。首先歸納整理出歌曲旋律相鄰兩音，得出四個主要的音程：大二度、小三度、大三度和完全四度。接著，再梳理出四個不同音程在祭歌中的連結形式，包括重疊式、交織式、連接式和串聯式。最後，介紹幾種不同連結形式的組合方式，並嘗試藉此建立提供另一種阿美族音樂旋律的分析方法。

In ethnomusicology, there are a lot of Taiwan indigenous sound recordings in Japan and Taiwan research, which has been analyzed mostly by western and Chinese pentatonic scale methodology since 20 century. It was almost recorded by staffs and represented the melody construction by tone, rhythm, and tempo method. But there is still a big step to construct the rhythm by the emic (indigenous way) to the same recordings. Undoubtedly, it showed bountiful culture symbol in Taiwan indigenous music, especially Amis harvest festival music. So, this research try to differentiate the types of intervals forms of the rhythm, including four kinds of intervals form ten field recordings since 1990-2010. From above four kinds of intervals this research also construct the combination of four kinds of intervals, including overlapping, intermingle, connecting, and interaction. Finally, the rule of Amis indigenous music of melody was set up the form of the Amis melody elements.