論浙江小百花越劇團《西廂記》－以張生形象、身段設計、服裝顏色映照、旋轉舞台為討論中心

On Zhejiang Xiaobaihua Yue Opera Troupe's "The Romance of the West Chamber" - Focusing on Zhang Sheng's Image、Body Design、Costume Color Reflection and Revolving Stage

10.6207/ART-VISION.202410_(28).001-015

林宗毅(Lin, Tsung-Yi)

西廂記 ； 浙江小百花越劇團 ； 張生 ； 茅威濤 ； 曾昭弘 ； Romance of the West Chamber ； Zhejiang Xiaobaihua Yue Opera Troupe ； Zhang Sheng ； Mao, Wei-Tao ； Zeng, Zhao-Hong

藝見學刊

28期（2024 / 10 / 01）

1 - 15

繁體中文;英文

本論文想探討的是，由曾昭弘改編的浙江小百花越劇團《西廂記》，是如何形塑不同於王實甫《西廂記》中的張生？關鍵的改編曲文為何？再者，除了人物形象外，筆者擬補議其身段設計、服裝顏色映照、旋轉舞台幾方面，以見其突出或細膩之處。經探討後，發現其劇本對張生形象的增塑至少有三大段曲文，尤其生命價值觀與信仰多有刻畫，並加厚孔孟思想對其行徑產生的制約效果，刪除原著輕浮的言行舉止，成功讓劇中人物張生以第一主角活躍於舞台之上。而身段中的「踢褶子」、「跪」、「交換座位」等設計，也都能與人物心境充分融合，藉重複演作而有區分加深之效，頗見細膩之功。服裝型式除有創新之外，張崔二人戲服顏色的映照關係，隨人物心緒與情節發展而兩相搭配照映，自有一番可觀服美。而旋轉舞台的妙用，讓物理空間的指涉或呈現，流暢明快之餘，心理空間的描述或人物關係的凸顯，也變得具象可感。整體而言，確實是一部以張生為第一主角的創新之劇！

What this paper wants to discuss is, how does Zhejiang Xiaobaihua Yue Opera Troupe's " Romance of The West Chamber" adapted by Zeng Zhao-hong create a different Zhang Sheng from Wang Shifu's " Romance of The West Chamber"?What are the key adapted texts? Furthermore, in addition to the character image, the author intends to discuss its body design, clothing color reflection, and rotating stage aspects to see its prominence or delicacy.After discussion, it was found that the script had at least three sections that enhanced Zhang Sheng's image, especially the portrayal of life values and beliefs, and strengthened the restrictive effect of Confucius and Mencius' thoughts on his behavior, and deleted the frivolous words and deeds of the original work. , successfully made the character Zhang Sheng active on the stage as the first protagonist. Designs such as "kicking pleats", "kneeling", and "swapping seats" on the body can also be fully integrated with the character's mood, and have the effect of deepening distinction through repeated performances, which is quite delicate.In addition to the innovation in costume styles, the color matching of Zhang and Cui's costumes reflects the mood of the characters and the development of the plot, which has its own considerable beauty. The wonderful use of the revolving stage makes the reference or presentation of the physical space smooth and bright, and the description of the psychological space or the highlighting of the relationship between the characters also becomes concrete and tangible. Overall, it is indeed an innovative drama with Zhang Sheng as the first protagonist!