異材質介入臺灣當代水墨的創作思維

The creative thinking of incorporating different materials into Taiwan contemporary ink painting

賴士超(Lai, shih-chao)

異材質 ； 混用 ； 水墨符號 ； different materials ； fusion of diverse ； symbolism of contemporary ink painting

視覺藝術論壇

18期（2023 / 12 / 01）

107 - 126

繁體中文;英文

當代所處的社會面臨著全球發展脈動迅速的發展變遷，發達的資訊科技網絡流通傳遞的便捷與迅速，促使人類彼此生存空間隔閡的距離拉近，而訊息的充斥與爆炸，使得人類所需面對的議題及關照的事物更加的多元複雜。本文透過梳理藉由水墨創作時，異材質的混用發展而本身建立獨特的美學感受，其多元開放的創作風格與當今社會的美感養成而塑造建立的創作形式，在傳統歷程價值的堅持之下，冀望在某一個碰撞產生平衡的當下找尋一個屬於自己個人的符號形式以對應所創作的發想與題材。就當代的美感認知及創作演譯來試圖探討創作者在以水墨的創作主題中，如何運用水墨創作表現的特殊性，來建構屬於當代新形態的水墨符號，並給予水墨創作發展的脈絡中留下一個媒材觸發及紀錄的節點，進而使全球化藝術發展的脈絡中試圖定義臺灣當代水墨的本位性。

In this contemporary society, global developments and transformations are rapidly occurring. Advanced information technology have brought people closer together. The flow of information has led to a greater diversity of issues that human beings have to face. This article aims to explore the unique aesthetic aspect established by the fusion of mixed materials. Under the commitment of traditional values, the diverse creative style and creative format built up by contemporary aesthetics aspire to look for a personal symbol, so as to resonate with the concepts and subjects of the artwork. The focus is utilizing the distinctive aspects of ink painting to construct a contemporary and innovative form of ink landscape symbolism, and integrating Taiwanese ink landscape art into the broader context of global artistic development while attempting to define its inherent characteristics.