Mendelssohn、Liszt與Franck「前奏曲與賦格」之時代風格表現初探

The Research on Romantic Music Style in Mendelssohn, Liszt and Franck's "Prelude and Fugue"

10.29873/GMJ.200606.0005

吳姈潔(Ling-Jie Wu)

孟德爾頌 ； 李斯特 ； 法朗克 ； 前奏曲與賦格 ； 巴赫音樂復興 ； Mendelssohn ； Liszt ； Franck ； Prelude and Fugue ； Bach Revival

關渡音樂學刊

4期（2006 / 06 / 01）

117 - 139

繁體中文

浪漫時期「前奏曲與賦格」的創作，在某些層面上受到當時巴赫音樂復興的影響。不同作曲家在此類型作品中展現的共通性是時代風格的一種表現，在新舊融合的概念之下，浪漫時期「前奏曲與賦格」呈現出獨特的樣貌。本文在釐清前奏曲以及賦格在「前奏曲與賦格」中所扮演的角色後，將以浪漫時期「前奏曲與賦格」之創作爲背景，分析與歸納文中所探討孟德爾頌、李斯特以及法朗克的相關作品，試圖突顯其音樂處理手法上有別於巴洛克時期的特色與風格，進而窺探傳統與創新以及新舊風格之間的微妙現象。

The creative writings of the Romantic ”Prelude and Fugue” were in some respects affected by the Bach Revival in that time. The commonness revealed by different composers' works on this genre became a display of the specific style in this age. Under the concept of the fusion of old and new, the Romantic Prelude and Fugue has displayed a unique manner. In this article, I will firstly clarify the roles played by a prelude and a fugue in this genre, then use the writings of the Romantic Prelude and Fugue as a foundation to analyze and generalize Mendelssohn, Franck and Liszt's works, trying to accentuate their music techniques' characteristic and stylistic differences from their Baroque counterparts, excavating the subtle phenomena between traditional and innovational styles.

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