展技曲與賦格(1974)

Toccata und Fuge für Orgel (1974)

10.29873/GMJ.200606.0009

馬水龍(Shui-Long Ma)

關渡音樂學刊

4期（2006 / 06 / 01）

265 - 282

繁體中文

自由幻想風的曲式常被運用在各式展技曲中，本曲亦不例外，作曲者取用了賦格曲中之主題作爲本曲開展之主軸。在賦格曲中也運用了增值、減值、倒影、逆行等各式對位手法。本曲如長笛幻想曲，亦完成於西德雷根斯堡。作曲者在一個充滿挑戰的環境中，意圖探索不同於自身文化背景之音樂語言。

The organ, a prominent product in Western history, does not have a place in Chinese music culture. Like the Fantasy for Flute Solo, this was also composed during my stay in Regensburg, West Germany. Facing the West, I was entering a period full of challenges. It resulted in a series of efforts to explore a musical language different from my Oriental background. This organ piece one reflection. Applying free atonality, the music was written in the traditional form of toccata and fugue.