聲音科技之音樂功能與美學角色初探以1948年之後四分之一個世紀的若干代表作品為例

A Study on the Musical Function and Aesthetical Role of Sound Technology, as Exemplified at Some Representative Electroacoustic Works Composed Within a Quarter Century after 1948

10.29873/GMJ.200606.0003

曾毓忠(Yu-Chung Tseng)

聲音科技 ； 電子原音音樂 ； 具象音樂 ； 電子音樂 ； 磁帶音樂 ； 電腦音樂 ； Sound Technology ； Electroacoustic Music ； Concrete Music ； Electronic Music ； Tape Music ； Computer Music

關渡音樂學刊

4期（2006 / 06 / 01）

75 - 91

繁體中文

科技在人類音樂發展史上不曾缺席過，科技的進步經常被反應在音樂的創作上，音樂作品也會反應出作曲家所援用科技之特性與限制。特別是二十世紀後半葉電子原音音樂的創作，許多當時代之聲音科技如磁帶機、類比與數位合成樂器及電腦上各種相關技術就成爲作曲家所主要倚賴的創作手段，在此發展脈絡下，聲音科技對音樂的創作各層面有著重要之影響，在作品中扮演著一定份量的音樂功能與美學角色。 1948年之後的25年當中，作曲家創作數量相當豐富的「具象音樂」、「電子音樂」、「磁帶音樂」，而「電腦音樂」也有許多傑出的作品被創造，本研究將以這四分之一個世紀裡所創作的電子原音音樂代表作品爲主要對象，分析科技對音樂創作之影響，並對聲音科技在作品中的功能及角色作一初步之探討。

Technology always plays an important role in the history of music development. The advancements of technology are often reflected on the creation of music; music also reflects the limitation and characteristics of the technology employed. Especially, for the creation of Electroacoustic Music in the 2(superscript nd) half of the 20(superscript th) century, sound technology became the main compositional tool for composers. Sound technology has revealed its crucial impact on many aspects of musical composition; even it plays an increasingly important role and function on the creation of Electroacoustic Music works. During the period of time, from 1948 to 1973, a huge repertoire of electronic music, tape music, concrete music, and computer music has been created. The paper will discuss and examine the role and function of sound technology in the creation of compositions through analzing of some representative electronic and computer music.

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