题名 |
巴赫《B小調彌撒曲》中〈尼西亞信經〉的結構特色 |
并列篇名 |
The Structural Features of Symbolum Nicenum in Mass in B Minor BWV 232 by Johann Sebastian Bach |
DOI |
10.29873/GMJ.200706.0004 |
作者 |
江玉玲(Yu-Ring Chiang);Su-Ying Chen |
关键词 |
巴赫 ; B小調彌撒曲 ; 尼西亞信經 ; 使徒信經 ; 聖詩 ; Johann Sebastian Bach 1685-1750 ; h-Moll-Messe ; Symbolum Nicenum ; Symbolum Apostolorum ; Sèng-Si |
期刊名称 |
關渡音樂學刊 |
卷期/出版年月 |
6期(2007 / 06 / 01) |
页次 |
95 - 117 |
内容语文 |
繁體中文 |
中文摘要 |
自西元四世紀以來普遍使用的信經,包括「使徒信經」、「尼西亞信經」、「亞他拿修信經」等等。「信經」是基督徒對教會認可的基本信仰內容所作的宣示。過去臺灣基督長老教會臺語《聖詩》前,附有「使徒信經」配合禮拜儀式使用。1981年11月29日在臺南太平境教會及臺北雙連教會,分別舉行尼西亞信經1600週年的紀念禮拜。1993年世界基督教會聯合會(WCC)對「尼西亞信經」有進一步確認。近年新刷的《聖詩》版本也加入了「尼西亞信經」。早在1749年,巴赫的《B小調彌撒曲》中,信經的段落用的就是〈尼西亞信經〉。本文在有限的時間與篇幅下,將簡單的列舉巴赫《B小調彌撒曲》中〈尼西亞信經〉的結構特色,包括曲中的模作音樂、巴羅克音樂對稱性結構的實踐,及曲中對「尼西亞信經」中「三位一體」信仰觀的具體表現。 |
英文摘要 |
Including Symbolum Apostolorum, Symbolum Nicenum and Symbolum Athanasianum etc., Credo has been prevailing since fourth century. As known, Credo is the testament for a Christian to acknowledged contents of basic belief of church. For the use in public worship, Symbolum Apostolorum was previously affixed before Sèng-Si of The Presbyterian Church in Taiwan. On November 29, 1981, sixteenth centennials joint public worship for Symbolum Nicenum was held at Thai-Peng-Keng Church (Tainan) and Shuanglian Presbyterian Church (Taipei) respectively. As further confirmed by World Council of Churches (WCC) in 1993, Symbolum Nicenum enclosed newly published Sèng-Si in recent years. In fact, Symbolum Nicenum was used as paragraph of Credo in Mass in B Minor, BWV 232 by Johann Sebastian Bach (1685-1750) in early 1749.Under constraint time and space, this paper is aiming to take some examples of the structural features of Symbolum Nicenum in Mass in B Minor BWV 232, including the musical parody, symmetry structural presence of baroque music, and real expression of the view of Trinity belief in Symbolum Nicenum. |
主题分类 |
人文學 >
藝術 |