音聲空間研究的全球趨勢與本土回應初探

The Study of Sound and Space: Global Trends and Local Responses

10.29873/GMJ.201012.0005

楊建章(Chien-Chang Yang)；呂心純(Tasaw Hsin-Chun Lu)

聲景 ； 地景 ； 音聲空間 ； 空間環境 ； 生態音樂學 ； soundscapes ； landscapes ； sonic space ； spatial environment ； eco-musicology

關渡音樂學刊

13期（2010 / 12 / 01）

77 - 96

繁體中文

本文主要就近年來方興未艾的，音樂學界有關音樂聲響與空間環境的不同研究方向，作扼要的回顧與評述，也追溯了這些研究方向引自不同學科的思想淵源。另外，本文除了關注過去對此議題討論較多的英美與歐洲大陸的學術文獻外，也比較了台灣學界目前的相關研究。具體而言，筆者們針對二十一世紀以來成為音樂學研究焦點之一的「聲景」（soundscape）概念，探討其歷史淵源，並就聲景概念的應用發展分成四個方面來歸納及分析，包括：音聲空間與文化場域的結合、音聲空間的展演性與賦能潛力、個人音聲空間的構築、以及音樂生態學的興起。本文並比較了台灣學界對於音聲空間的討論.，並將其放入全球相關論述的脈絡中進行剖析，試圖為台灣未來的音聲與空間研究提出幾個展望。

This paper reviews the recent musicological efforts in studying the intersections of sound, music, space, and environment. These efforts can be broadly defined as the soundscape studies, including the interaction between sonic and cultural spaces, the performativity and the empowerment of soundscapes, the construction of personal soundscapes and the newly emerged eco-musicology derived from the literary eco-criticism and the acoustic ecology inaugurated by Murray Schafer. In conclusion, this paper compares scholarships from Taiwan that had dealt with this issue as a response to this new global interest.

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