從林錦生《七十年前之回憶》探討「荷門式裝訂」中的聖詩詞曲互換應用

Discussion on Interchangeable Use between Tunes and Words in Dutch-Door-Bookbinding Hymnbooks Based on ＂Memoirs of the Passed Seventy Years＂ by Gim-Seng LIM

江玉玲(Yu-Ring Chiang)

聖詩旋律 ； 聖詩韻律 ； 首調記譜法 ； 荷門式裝訂 ； 分頁拼合詩篇集 ； Hymn tunes ； Hymn Meter ； Tonic Sol-fa ； Dutch-Door-Bookbinding ； Split-Leaf Psalter

關渡音樂學刊

21期（2015 / 01 / 01）

7 - 28

繁體中文

《七十年前之回憶》是1976年由林錦生所著的回憶錄。林錦生曾於1907－1911擔任臺南太平境教會的伴奏。回憶錄中提及許多日治初期聖詩在伴奏使用上的相關細節。本文依據回憶錄中的敘述，探討當時臺語聖詩在選曲、譯譜及裝訂方面引申出的相關議題，尤其是詞曲自由搭配的方式、「首調記譜法」的應用，以及「荷門式裝訂」所引發的詞曲循環應用構想等。藉由這些議題，以探討聖詩韻律在詞曲搭配上的各式可能性，繼而找出可繼續研究之方向。

Memoirs of the passed seventy years was written by Gim-Seng LIM in 1976. LIM was the church music accompanist from 1907 to 1911 at Thai Ping Ching Maxwell Memorial Church in Tainan, Taiwan. As many details regarding the application of church hymns accompaniment were mentioned in the memoirs, this article is therefore set to discuss themes related to the selection of hymn tunes, transcription of sheet music and hymnbook-binding in the early period of Japanese occupation Taiwan, in particular to the ways of free interchangeable use between tunes and words in hymnbooks, the application of tonic Sol-fa notation and the extended cycling applications of hymn tunes and words in Dutch-Door-Bookbinding. By means of these themes, one can find the possibilities of alternating hymn tunes and words with hymn meter as well as opening the possibilities of further study.

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