KOTEKAN IN BALINESE MUSIC

巴里島音樂中的「交織」(Kotekan)

華揚．帝比亞(I Wayan Dibia)

Balinese music ； gamelan ； kotekan ； polos ； sangsih ； sanglot ； 巴里島音樂 ； 甘美朗 ； kotekan ； polos ； sangsih ； sanglot

關渡音樂學刊

24期（2016 / 07 / 01）

1 - 15

英文

Music is essentially a cultural form. The use of music and its playing technique is strongly influenced by cultural values including aesthetic principles of the producing society. Kotekan figuration in Balinese music, considered by many as a playing technique, is a fascinating musical concept loaded with local cultural values. This article demonstrates the governing Balinese cultural values embedded in kotekan. The aim of this presentation is to show that kotekan is a reflection of profound values of Balinese Hindu culture.

音樂本質上是一種文化形式，音樂的使用與演奏技巧深受所屬社會的文化價值影響，包含審美原則在內。在巴里島音樂中，被多數人認定為一種演奏技巧的「交織」(kotekan)，是一個承載著在地文化價值，十分引人入勝的音樂概念。本文展示深嵌於「交織」中具主導性的巴里文化價值，意圖顯明交織是巴里印度教文化深層價值的反映。

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