初探勒給涅對法文藝術歌曲的貢獻

A Primitive Research on the Contribution of Jacques Leguerney's Songs to French Mélodie Repertoire

楊勝安(YANG, Sheng-An)

法文藝術歌曲 ； 勒給涅 ； 貝納克 ； 浦朗克 ； 蘇捷 ； mélodie ； Leguerney ； Bernac ； Poulenc ； Souzay

關渡音樂學刊

31期（2020 / 02 / 01）

33 - 55

繁體中文

法文藝術歌曲在十九、二十世紀交會之際，擺脫以往浪漫曲與德文藝術歌曲的影響，展現傲人的成果。幸運的我們，離近代法文藝術歌曲還不算遠，有許多相關紀錄與詮釋的書籍可以查閱，有實際的錄音可以欣賞，甚至還有老師傳承珍貴的第一手資料給我們。作曲家勒給涅創作了近百首藝術歌曲，這些作品有專業名家的支持、曾做為國際聲樂大賽的指定曲目，也曾經是音樂節的研討主題，然而卻見不到音樂學上的探究。本文將簡述法文藝術歌曲的發展，並且介紹這位鮮為人知的作曲家，透過實際的音樂賞析，幫助大家認識勒給涅，一起演唱勒給涅的作品，並且探索勒給涅對法文藝術歌曲的貢獻。

French mélodie, flourishing in belle époque, extricated itself from the influences of French romance and German Lieder, revealing the sublime beauty by its unique text, phrasing, harmony, and performing style. We are lucky to have books, records and teachers who had ever worked with mélodie legends. Jacques Leguerney, highly praised for his songs by famous mélodie singers and teachers, hardly received any respect from the musicologists, and even now are not so familar by singers. This article is trying to introduce Leguerney's contributions to the repertoire of French mélodie. Hopefully, we singers and art-song lovers all enjoy his talent, wisdom, and infinite charm Shown in his mélodies.

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