林口四平子的發展與傳承──以林口東華復興社做為研究對象

The Development and Inheritance of Sù-Pîng-á in Linkou: Taking the Lin-Kou Donghua Fuxing Club as the Research Object

林函昀(Lin, Han-Yun)

四平子 ； 林口傳統音樂 ； 林口東華復興社 ； Sù-Pîng-á ； Linkou's Traditional Music ； Donghua Fuxing Club

關渡音樂學刊

37期（2023 / 09 / 01）

61 - 76

繁體中文;英文

四平子（Sù-Pîng-á），為一鼓吹陣頭，現存於臺灣北部。新北市林口一帶曾為四平子發展興盛之地，然而至今只剩下一間社團，與曾經盛大發展的傳聞。二十多年來，林口地區的北管勢力逐漸壯大，而四平子正在逐漸的被遺忘。個人在跟隨林口僅剩的一間四平子社團「東華復興社」的活動兩年半後，決定以林口東華復興社的角度，書寫林口的四平子的歷史，期許能將口傳的記憶脈絡化，並以不同的角度觀看林口的傳統音樂發展過程，讓世人了解這種曾經興盛過，卻不見記載的音樂。本文將分為五個段落，從四平子的文獻與概述開始，到林口的四平子與四平子角度下的傳統音樂發展史，接續東華復興社的發展與現況，將林口的四平子文化從一百年前敘述至今。過程中難免會有以四平子主觀視角看不到的盲點，但這樣的盲點也能側面解析出四平子的學習者如何看待自己。期許四平子的記憶能因此被記錄下來，也希望能對林口的傳統音樂歷史有所補足。

Sù-Pîng-á is a percussion and wind ensemble music that still exists in northern Taiwan. The area around Linkou in New Taipei City was once a prosperous place for Sù-Pîng-á, but now only one club remains, along with rumors of its past grandeur. Over the past twenty years, the power of bei-guan music in the Linkou area has gradually grown, while Sù-Pîng-á is gradually being forgotten. After following the activities of the only remaining Sù-Pîng-á club in Linkou, "Donghua Fuxing Club", for two and a half years, I decided to write about the history of Sù-Pîng-á in Linkou from the perspective of Donghua Fuxing Club. Hope to turn the oral memories into words and view the development of traditional music in Linkou from different view so that people can understand this music that was once prosperous but not recorded. This article will be divided into five paragraphs, starting with an introduction to Sù-Pîng-á and its literature, followed by the history of Sù-Pîng-á and traditional music development in Linkou from the perspective of Sù-Pîng-á. It will then continue with the development and current situation of Donghua Fuxing Club, describing the Sù-Pîng-á culture in Linkou from 100 years ago to today. During this process, there may be something that cannot be seen from the subjective perspective of Sù-Pîng-á, but these blind spots can also reveal how learners of Sù-Pîng-á view themselves. I hope that this memory of Sù-Png-á can supplement the history of traditional music in Linkou.

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