阿爾瑪．馬勒生命史回顧及作品集《五首藝術歌曲》研究分析

A Review of Alma Mahler's Life and Analysis of Fünf Lieder

吳奕慧(Wu, I-Hui)

阿爾瑪．馬勒 ； 世紀末 ； 女性藝術家 ； 《五首藝術歌曲》 ； Alma Mahler ； Fin de Siele ； Female artists ； Fünf Lieder

關渡音樂學刊

38期（2024 / 09 / 01）

59 - 81

繁體中文;英文

阿爾瑪．馬勒（Alma Maria Mahler-Werfel [née Schindler]）為19世紀末的維也納作曲家，終其一生與藝術不可分離，廣結良緣的她，成為多位藝術家的繆思。不僅在藝術上影響他人，阿爾瑪也用音樂來表現自身對藝術的見解。其出版作品以藝術歌曲為主，在僅有鋼琴及聲樂的配器下，阿爾瑪不停挑戰調性音樂的可能，成就出不亞於男性作曲家的豐富音樂聲響作品。本文將聚焦在阿爾瑪作為一位作曲家的身份以及其作品《五首藝術歌曲》，並思考阿爾瑪如何在當時候以女性角色，使用音樂展現自己。

Alma Maria Mahler-Werfel (née Schindler) was a Viennese composer of the late 19th century, throughout her life, inseparable from art. Widely connected, she became the muse of numerous artists. Not only did she influence others in the realm of art, but Alma also used music to express her own views on art. Her published works primarily consist of art songs. With only piano and vocals at her disposal, Alma continually challenged the possibilities of tonal music, achieving a wealth of musical compositions comparable to those of male composers. This article will focus on Alma as a composer and her work Fünf Lieder, examining how she continued to express herself through music despite her identity as a woman.