論自身作品GAZE如何將慰安婦研究文獻轉化為音樂中的聲響

How to Transform the Literature of Comfort Women into Actual Music Compositions in My Work GAZE

洪郁閎(Hong, Yu-Hong)

慰安婦 ； 台灣當代音樂 ； 文獻轉譯音樂 ； Comfort Women ； Contemporary Music in Taiwan ； Translate literature into music

關渡音樂學刊

38期（2024 / 09 / 01）

129 - 150

繁體中文;英文

本文以筆者自身作品GAZE為內容之核心，並聚焦在討論與此曲內容相關的慰安婦研究文獻，如何透過筆者的作曲手法與運用轉化成音樂中的聲響。本文將分為四個章節，第壹節前言中將介紹寫作此文的動機；在第貳節慰安婦研究文獻與英文詩Comfort Gaze對此作品的啟發中，筆者將說明自身如何受到慰安婦相關資料的影響，以及如何與詩人合作將詩詞Comfort Gaze作為筆者作品的骨幹；於第參節將文獻轉化為聲響的手法與運用中，筆者會以具象和抽象來分類筆者使用的技法，並各自舉出三個例子來說明運用方式；最後在第肆節結語中，筆者會分享寫作此文的心得，以及總結彙整全文的內容。

This paper focuses on my composition, GAZE for soprano and ensemble, and discusses how I transform the relevant literature on comfort women into specific compositional techniques and sounds. This paper consists of four sections. In the first section, Introduction, I will introduce the research motivation. In the next section, The Influences of the Literature of Comfort Women and English Poem to the Composition GAZE, concentrates on how I was inspired by the relevant materials of comfort women and how I collaborated with a poet, taking the poet's creation, Comfort Gaze, as the skeleton of my work. The third section, The Transformation from the Literature into Actual Music Compositions, I will categorize the compositional techniques used in GAZE into concrete and abstract, and indicate three examples of each to illustrate my approach. In the last section, I will share my reflections on writing this paper and summarize the contents.