《進食練習》－口腔進食行為的內在經驗

Eating Practice: Inner Experience of Oral Eating Behavior

滕孟哲(JAMES TENG)；李家瑩(CHIA-YING LEE)

口腔 ； 食器 ； 食物設計 ； 遊戲 ； 儀式 ； Mouth ； Utensils ； Food Design ； Game ； Ritual

實踐設計學報

19期（2024 / 04 / 01）

108 - 135

繁體中文;英文

本論文的研究對象為創作者滕孟哲的創作計畫《進食練習》，計畫分為《進食秀》和《食器》兩個部份，分別以物件及參與式行為兩種創作形式切入，透過材質、形式以及概念的結合，重新詮釋進食行為的複雜性。《進食練習》的創作媒材及手法跨越傳統工藝、產品設計、食物設計、行為及錄像藝術等不同領域，又未如傳統設計創作一般，將使用者的正面感受及使用便利性納入考量，使其難以用傳統的藝術及設計領域劃分界定。在論文中，筆者爬梳大量藝術及設計領域中關於口腔及食物的創作案例，一方面整理《進食練習》作品的創作手法與媒材的脈絡，一方面也試圖在當代視覺藝術、表演藝術、產品設計及食物設計等不同領域的脈絡之下，去觀察《進食練習》所處的位置。試圖透過《進食練習》，在口腔及食物間模糊曖昧的關係中摸索出一條能真誠回應當代複雜社會現實的創作路線。

This paper explores James Teng's project "Eating Practice." The project consists of two parts: "Dietary Show" and "Utensils," employing both object-based and participatory approaches. It seeks to transcend the conventional framework of eating tools by reinterpreting the complexity of eating behavior through the integration of materials, forms, and concepts. Unlike traditional design projects, "Eating Practice" does not begin with predefined creative objectives and does not prioritize users' positive experiences or convenience. The creative materials and techniques span various fields, including craftsmanship, product design, food design, performance art, and video art, making it challenging to categorize within conventional art and design boundaries. The second chapter situates "Eating Practice" within contemporary visual art, performance, product, and food design contexts. By examining artworks related to the mouth and food, the aim is to discover an authentic creative path responding to our complex contemporary society amidst the intricate interplay of mouth and food.