二十世紀新樂府：論席慕蓉詩文的特質

TWENTIETH CENTURY NEW YUEFU POEMS: ON HSI POETRY AND PROSE QUALITIES

周佩芳(Pei-Fang Chou)

席慕蓉 ； 臺灣現代詩 ； 抒情傳統 ； His Mu Rong ； Taiwan Modern poetry ； Lyric Tradition

桃園創新學報

35期（2015 / 12 / 01）

429 - 452

繁體中文

席慕蓉是崛起於臺灣八0 年代的詩人與散文作家，其詩集的銷量打破了現代詩的小眾場面，而形成大眾詩風潮。本文由對於「席慕蓉現象」的討論切入，分析席慕蓉詩文的特質，主要為：在形式方面，文字語言平易近人，以及複沓音韻的歌謠體特徵。在意象方面，喜以花表現愛情與青春，以及水意象表現時間流逝的意旨。另外，身為1949 年中國來臺人士，席慕蓉的鄉愁與其他「外省人」不同，乃在於漢蒙兩族文化衝突。最後，席的詩與文有著強烈的「自我書寫」表現，有著濃厚的抒情性。可見，在重視音韻的歌謠複沓形式、「傷逝」與「離別」情懷、甚至直接翻寫樂府舊題等等表現上，都與中國古典詩歌中的「抒情傳統」一致，於是，我們可說，席慕蓉的詩文是二十世紀的新樂府。

Hsi is the rise of the poet and prose writer in Taiwan 80 years, sales of its poems broke niche scene of modern poetry, and poetry form public unrest. In this paper, the discussion of ＂Hsi phenomenon＂ is cut, analyze the characteristics of poetry Hsi, mainly as follows: In terms of form, written language approachable, and songs Characteristics Repetitive phonemes. In terms of imagery, like to flower show love and youth, as well as water imagery show the passage of time will. In addition, as the 1949 Chinese people in Taiwan, Hsi nostalgia and other ＂outsiders＂ different, is that the Chinese and Mongolian bicommunal cultural conflict. Finally, the seat of the poem and the text has a strong ＂writing self 'performance has a strong lyricism. It is seen in the emphasis on phonological songs Repetitive form, ＂Mourn the Death＂ and ＂parting＂ feelings, or even directly turn Yue old title, and so on write performance, are consistent with the Chinese Classical Poetry ＂lyrical tradition＂, so we can say , Hsi poetry is the new Conservatory of the twentieth century.