英文摘要
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Virginia Woolf's Orlando explicates the concept of androgyny as gender transgression, depicting how Orlando primarily as a man transforms into a woman in the event of sex change provoked by the magical power in the exotic, oriental land of Constantinople, and consequently develops her woman consciousness. This gender consciousness, in contrast to a priori bio-essentialism, appeals to a posteriori life experiences developed with multi-selves conditioned by temporal-spatial existences from Renaissance to 20^(th)-century modern England and through the spatial extension of traveling from England to Constantinople. Thus, androgyny as sexual displacement and transgression in this text is based upon the ontological transgression of time and space. While in the end of the novel Orlando develops her psychic state of stream of consciousness for unifying the multi-selves into the cosmic one as epiphany and moments of being, this multi-selves integration into the cosmic one marks the completion of this fantasy journey singular as a life event.
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