英文摘要
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From the perspective of the politics of the past, the purpose of this study is to explore the history and historical memory of the Taiwan Blackfoot Disease Socio-Medical Service Memorial House, which opened in Beimen, Tainan in 2007, to nurture a vision for this museum as a place where the public searches for fairness and justice. A multi-method design including interviews, observation and documentary analysis was carried out from March to November 2012. This article is structured into three sections. Firstly, we give a brief overview of historical sites in general and memorial museums in particular in a global context in which "displacement" is critical, as well as explain their importance to the advocacy of rights and collective memory and conscience. Secondly, from exhibition reviews, displays of tragedies and disasters result in tension between historical narrative and memory. In practice, the restoration of the Taiwan Blackfoot Disease Socio-Medical Service Memorial House was based on the notion of natural-realism. This museum houses medical materials including amputated limbs, as well as photographs and textual panels. As the medical practices carried out here are shown in a positive light, this museum and its exhibits do not powerfully provoke the politics of the past including the right to medical care and other relevant rights. Finally, we suggest bringing one of the wards back to life, even if left empty, to allow visitors a better understanding of the suffering of the patients during the period of Blackfoot disease in Taiwan.
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