敘事心理學：博物館展覽闡釋的心理仲介－以美國下東區移民公寓博物館為例

Narrative Psychology: Psychological Mediation in Museum Exhibition Interpretation - Lower East Side Tenement Museum in the United States as Example

10.6686/MuseQ.201701_31(1).0003

周婧景(Jing-Jing Zhou)

敘事心理學 ； 展覽闡釋 ； 敘事思維 ； 敘事主體 ； 敘事策略 ； Narrative psychology ； exhibition interpretation ； narrative thinking ； narrative subject ； narrative strategy

博物館學季刊

31卷1期（2017 / 01 / 01）

59 - 73+75

繁體中文

敘事心理學作為一種普遍性的人類心理活動方式，是博物館展覽闡釋中不應忽視的觀眾心理基礎，它搭建起了觀眾與展覽有效溝通的橋樑。這一心理學的新分支源自文學研究的敘事學，爾後進入心理學，促成敘事心理學誕生。美國下東區移民公寓博物館通過對敘事思維的運用、敘事主體的關注和敘事策略的使用，營造出獨特的展覽闡釋語境，保證敘事的科學和準確，助推敘事的故事化和吸引度，引起筆者對如何運用敘事心理學來解決中國大陸博物館展覽闡釋的困境做出反思，由此提出敘事性展覽所肩負之重責，展現敘事心理學在博物館展覽闡釋中全新但內隱的價值。

Narrative psychology is regarded as a universal human mental activity and is the psychological basis of audiences, thus should not be ignored in the process of museum exhibition interpretation. Narrative psychology is the bridge of effective communication between audiences and exhibitions. This new branch of psychology originated from belletristic narratology. The Lower East Side Tenement Museum in the US, has applied narrative thinking, paying close attention to narrative subject and using narrative strategy to create a unique context of exhibition interpretation, ensuring scientific and accurate narrative, while boosting the dramatization and attractiveness of the narrative. The author reflects on the use of narrative psychology to solve the difficulties of museum exhibition interpretation in China. From this, the heavy responsibilities of narrative exhibitions are addressed and the new and implicit value of narrative psychology in museum exhibition interpretation is discussed.

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