题名 |
在歷史情境下講故事-考古遺址博物館的展示 |
并列篇名 |
Storytelling in Historical Context: Exhibitions of Archaeological Site Museums |
DOI |
10.6686/MuseQ.2017.31.2.4 |
作者 |
黃洋(Yang Huang) |
关键词 |
考古遺物 ; 考古遺址博物館 ; 去脈絡化 ; 再脈絡化 ; 故事性展示 ; 再創造 ; archaeological remains ; archaeological site museum ; decontextualize ; recontextualize ; storytelling ; recreation |
期刊名称 |
博物館學季刊 |
卷期/出版年月 |
31卷2期(2017 / 04 / 01) |
页次 |
89 - 103+105 |
内容语文 |
繁體中文 |
中文摘要 |
考古遺址發掘出土的遺物在考古遺址博物館進行展示,就使其脫離了原生環境,所以其展示就是要將「去脈絡化」的物「再脈絡化」,賦予考古遺物以生命。考古出土物背後蘊含著豐富的訊息,考古遺址博物館的展示就是憑藉遺物來敘說故事。好的考古遺址博物館展覽,就是運用遺物向觀眾講述一個「好故事」。考古遺址博物館要釐清故事的主要線索,以故事的邏輯解讀遺物,讓遺物自己講出它的故事。考古遺址博物館通過適當的展示方式,鼓勵觀眾對考古遺物做出個性化的闡釋,而且觀眾還可以將自己的理解用合適的方法表現出來。 |
英文摘要 |
Once exhibited in archaeological site museums, archaeological remains become separated from their context. Therefore, it is of great importance for these museums to recontextualize these remains and bring excavations to life. Archaeological remains contain rich archaeological information. Exhibitions can tell stories through the interpretation of these remains. The most successful archaeological site museums have mastered storytelling techniques. The exhibitions of archaeological site museums should have a story line that is logical, by which archaeological remains are interpreted. In some cases, archaeological remains do not need much interpretation. In such cases, the exhibition objective should be to encourage the audience to interpret what they see on their own. |
主题分类 |
人文學 >
人文學綜合 人文學 > 藝術 |
参考文献 |
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被引用次数 |