英文摘要
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Cultural heritage is the testimony of collective memory. Currently, studies on cultural heritage are focused on the voices of multiple ethnic groups, as well as their memories, supplemented by cultural and historical buildings, rather than on the elite perceptions or discourses of the past. However, while implementing the restoration and reuse of cultural heritage, planners and executors are unable to preserve the memories of local people. In contrast is the restoration of the 321 Arts Village in Tainan City, Taiwan. This was originally a Japanese military dormitory. Later, it became a dormitory for National Cheng Kung University faculty and, finally, a neglected space. Alternative histories, memories, and conservation have led to cultural tolerance and local participation to encourage a broader dialogue. The 321 Arts Village, once at risk of being torn down, now possesses a unique environment and atmosphere, as well as valued memories, due to the actions of civic groups. It is co-managed by artists and the government. Since 2011, qualitative research methods have been employed in this study, including long-term field observations, semi-structured interviews, and data collection. The aim is to investigate if the restoration of the 321 Arts Village initiated by the Cultural Affairs Bureau of the Tainan City Government in 2018 simultaneously preserves the memories of the original Japanese military dormitory and if it is necessary to recover the original features of cultural heritage removed during restoration. Finally, recommendations are provided for the conservation and development of cultural heritage with respect to the collection of memories and histories of multiple ethnic groups, re-examination of the restoration mode of cultural heritage, and reflection on conservation and reuse of space.
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