英文摘要
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Taiwanese people pay attention to their diet, are proficient in cooking, and enjoy good food. How to eat well has long been a topic of social concern, especially in the face of the global diet revolution, diverse food cultures and food safety issues. In recent years, food-related activities and/or performances have appeared in expositions, cultural and creative parks, museums, art galleries, local industrial culture halls, universities and other academic institutions across Taiwan. From various perspectives, these express the relationships of host/guest, person/me, my group/the other, and production/consumption due to the blending and conflict brought about by food. In addition to analyzing the food-related exhibition forms in Taiwan, the aim of this paper is to convey the local connotations behind them. The National Museum of Natural Science's "Nom Nom Taiwan - The Story of Dietary Culture Exhibition" is taken as an example. It presents diverse ethnic diets from prehistoric to contemporary times and tells the stories of Taiwan's food culture, including food-connected ecologies and traditional beliefs, community identification, market exchange economy and other life experiences, and the impacts of food on post-industrial society and the environment. The starting point for this exhibition is a familiar daily activity, as it describes the rich food traditions in Minnan, Hakka and military veteran communities and the cultural connotations of eating habits. Rituals and customs for different stages of life and the wisdom and characteristics of the Taiwanese indigenous food culture were especially popular displays. Therefore, another aim of this paper is to examine the intertextuality between exhibition contents and audience participation through questionnaires. Moreover, how food-related exhibitions and performances in museums can be imagined, understood, and constructed, based on the complex symbols and practices of local knowledge, is investigated.
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