歷史展示與空間記憶－法國羅浮宮「鐘閣」展個案探討

Presenting History and Architectural Memory: Case Study of the Louvre Museum's Pavillon de l'Horloge History Display

10.6686/MuseQ.202207_36(3).0005

劉君祺(Chun-Chi Liu)

文化遺產 ； 歷史展示 ； 建築歷史 ； 歷史意識 ； 數位重建 ； 羅浮宮 ； cultural heritage ； history exhibit ； architectural history ； historical consciousness ； digital reconstruction ； Louvre

博物館學季刊

36卷3期（2022 / 07 / 01）

93 - 111+113

繁體中文

文化遺產的場域歷史，本身即是一個饒富興味的故事。該如何訴說遺產的故事，有效地保存其空間記憶，讓歷史展示發揮最大的效益，牽涉場域所運用的溝通與詮釋策略，以及背後所隱含的歷史意識。羅浮宮本身兼具世界文化遺產、博物館，甚至文化樞紐的多重身份，透過其「鐘閣」歷史展示，探討羅浮宮的建築歷史、出土遺物、典藏故事、營運現況與未來願景，反映館方如何檢視自身的價值與主體性，將之分析與呈現，向觀眾說出它的過去與未來。從曾經的軍事堡壘，蛻變成如今的博物館，其歷史展訴說了哪些內容？本文透過文獻回顧、網路資料蒐集以及作者於2019年4月及2020年1月兩度造訪的現地觀察等，以羅浮宮「鐘閣」歷史展做為研究個案，試析文化遺產如何透過實體專展與現地說明連結或再現建築空間的記憶往事，在細膩的敘事推進與友善的互動體驗中訴說自身的場域歷史。

Storytelling applied to cultural heritage is intriguing. Curatorial strategies and historical consciousness are important in effectively preserving its spatial memories and narrating its historical content. The Louvre performs multiple roles as a world heritage site, a museum, and a cultural hub. It launched the Pavillon de l'Horloge history display to tell the stories of its past, present, and future. From the perspectives of architectural history, archaeological excavations, collections, and daily operations, this display reveals how its identity has been shaped over time and how the museum sees itself at present. Based on literature review, online data collection, and on-site observations in April 2019 and January 2020, the aim of this study is to investigate the curatorial practices and historical consciousness of the Pavillon de l'Horloge history display, as well as how it connects and represents architectural memories through exhibits and on-site information. Meanwhile, the narrative progression and interactive design that facilitate accessible experiences are also discussed.

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