英文摘要
|
In this paper, two types of museum exhibitions - science and contemporary art - are compared to explore how different narratives are used for dealing with climate change issues. Climate change is a complex and, indeed, dynamic problem that involves the environment, culture, and politics, as well as our relationship with nature and Earth as a whole. Among the debates about the consequences of and crises related to climate change and their future impacts, different hypotheses have been formed in different regions and under different national conditions. Museums have also played roles, publicizing, explaining, and making suggestions during climate change debates and policymaking processes. However, museums are not completely neutral, as they are influenced and affected by many factors. Museum discussions on climate change issues may take on extremely different appearances under the influences of internal normative constraints and changing external factors. In this paper, literature review and case studies were used to analyze the exhibition narratives of different types of museums, especially those of science museums and art museums. Intentional sampling methods were adopted to select representative overseas and domestic science and contemporary art exhibitions. In addition, the narrative mode of climate change in museum exhibitions and the attempts to outline its meta-narrative are examined. Moreover, different strategies for contemporary art exhibitions in dealing with climate change issues are outlined. Finally, a comparison of the two types of exhibition narratives enables an exploration of the challenges and adaptations of museums dealing with contemporary social issues.
|
参考文献
|
-
Arnold, A.(2015).Institut für Sozialwissenschqften der Universität Stuttgart, Abteilung für Technik-und-Umweltsoziologie..
-
Bast, G.(2010).Art, science and the universities in an age of climate change: A parallel approach.2010, Unfold: A Cultural Response to Climate Change,New York:
-
Becker, C.(1997).Art and ecology.Review of Education, Pedagogy, and Cultural Studies,19(2),193-208.
-
Blanc, N.,Ramos, J.(2010).Ecoplasties: Art and Environment.Paris:Manuella.
-
Bushell, S.,Workman, M.,Colley, T.(2016).Towards a unifying narrative for climate change.Grantham Institute Briefing paper,18,1-19.
-
Cameron, F.(2013).Representing climate change in museum space and places.WIREs Clim Change,4,9-21.
-
Cameron, F.(2015).We are on nature’s side? Experimental work in rewriting narratives of climate change for museum exhibitions.2015, Climate Change and Museum Futures,London:
-
Cameron, F.(2015).Ecologizing experimentations: A method and manifesto for composing a post-humanist museum.Climate Change and Museum Futures,London:
-
Cameron, F. R.(Ed.),Neilson, B.(Ed.)(2015).Portraying the political: Contemporary art exhibitions and their engagement with climate change politics Climate Change and Museum Futures.London:Routledge.
-
Chakrabarty, D.(2009).The climate of history: Four theses.Critical Inquiry,35,197-222.
-
Cotton, M.,Stevens, E.(2019).Mapping discourses of climate change adaptation in the United Kingdom.Weather, Climate and Society,11(1),17-32.
-
De Beauvais, D..Réclamer la terre.Palais.
-
Demos, T. J.(2016).Decolonizing Nature: Contemporary Art and the Politics of Ecology.Berlin:Stern berg Press.
-
Demos, T. J.(2009).The politics of sustainability: Art and ecology.Radical Nature London:Koenig Books.
-
Descola, P.(2013).Beyond Nature and Culture.Chicago:University of Chicago Press.
-
Deuleuze, G.,Guattari, F.(1987).A Thousand Plateaus.Minneapolis:University of Minnesota Press.
-
Drotner, K.(Ed.)(2019).The Routledge Handbook of Museums, Media and Communication.London:Routledge.
-
Giannachi, G.(2012).Representing, performing and mitigating climate change in contemporary art practice.Leonardo,45(2),124-131.
-
Glowczewski, B.(2021).Réveiller les esprits de la terre.Bellevaux:Dehors.
-
Haraway, D.(2008).When Species Meet.Minneapolis:University of Minnesota Press.
-
Haraway, D.(2003).The Companion Species Manifesto: Dogs, People, and Significant Otherness.Chicago:University of Chicago Press.
-
Harrison, R.(2013).Heritage: Critical Approaches.New York:Routledge.
-
Harvey, G.(2007).Animism: Respecting the Living World.New York:Columbia University Press.
-
Henson, R.(2019).The Thinking Person’s Guide to Climate Change.American Meteorological Society.
-
Hulme, M.(2009).Why We Disagree about Climate Change: Explaining Controversy, Inaction and Opportunity.Cambridge:Cambridge University Press.
-
Ingold, T.(2011).Being Alive: Essays on Movement, Knowledge and Description.London:Routledge.
-
Intergovernmental Panel on Climate Change(2007).,未出版
-
Janes, R.(2009).Museums in a Troubled World: Renewal, Irrelevance or Collapse.New York:Routledge.
-
Latimer, J.,Birke, L.(2009).Natural relations: Horses, knowledge, technology.The Sociological Review,57(1),1-27.
-
Latimer, J.,Miele, M.(2013).Naturecultures? Science, affect and the non-human.Theory, Culture and Society,30(7-8),5-31.
-
Latour, B.(2004).Whose cosmos, which cosmopolitics?.Common Knowledge,10(3),450-462.
-
Lippard, L.(2014).Undermining: A Wild Ride through Land Use, Politics, and Art in the Changing West.New York:The New Press.
-
Mayer, F. W., 2011. Stories of Climate Change: Competing Narrative, the Media, and U.S. Public Opinion 2001-2010. Joan Shorenstein Center on the Press, Politics and Public Policy. Discussion Paper Series. Retrieved from https://shorensteincenter.org/stories-of-climate-change/(2022/05/02) .
-
Michałowska, M.(2020).Artists in the face of threats of climate change.Oceanologia,62,565-575.
-
Palumbo, J., 2020. Contemporary Landscape Photographers Capture Far More Than Nature’s Beauty. Artsy, May 27. Retrieved from https://www.artsy.net/article/artsy-editorial-20-land-scape-photographers-capturing-natures-beauty (2022/05/03) .
-
Stenger, I.(2010).Cosmopolitics.Minneapolis:University of Minnesota Press.
-
Tsing, A.(Ed.)(2017).Arts of Living on a Damaged Planet, Ghosts and Monsters of the Anthropocene.Minneapolis:Minnesota University Press.
-
王惟芬(譯),Dow, K.,Downing, T. E.(2012).氣候變遷地圖.臺北:聯經出版公司.
-
余思穎(編)(2020).2020 臺北雙年展導覽手冊.臺北:臺北市立美術館.
-
吳瑪悧(編),范切斯科.馬納克達(編)(2019).2018 臺北雙年展,後自然:美術館做為一個生態系統專輯.臺北:臺北市立美術館.
-
吳瑪悧(編),范切斯科.馬納克達(編)(2018).2018 臺北雙年展,後自然:美術館做為一個生態系統導覽手冊.臺北:臺北市立美術館.
-
張婉真(2014).當代博物館展覽的敘事轉向.臺北:國立臺北藝術大學/遠流出版公司.
-
陳榮泰(譯),伍啟鴻(譯),Latour, B.(2019).面對蓋婭:新氣候體制八講.新北:群學出版有限公司.
-
陳榮泰(譯),伍啟鴻(譯),Latour, B.(2020).政治該何去何從?新北.新北:群學出版有限公司.
-
喬國強(譯),李孝弟(譯),Prince, G.(2011).敘述學詞典.上海:上海譯文出版社.
|