龍瑛宗筆下的寒村和枇杷莊風情畫

The Landscapes of Han Village and Loquat Villa in Lung Ying-tsung's Works

10.29907/JRTR.200507.0003

胡紅波(Hu Hung-Po)

龍瑛宗 ； 梵谷 ； 杜甫 ； 寒村 ； 枇杷莊 ； 故鄉 ； Lung Ying-tsung ； Van Gogh ； Du Fu ； Han Village ； Loquat Villa ； Homeland

成大中文學報

12期（2005 / 07 / 01）

65 - 80

繁體中文

本文直接從作品本身尋找解讀龍氏作品的其他方向，尤其是對故鄉的描寫就是很重要的一環。本文第一節「前言」簡述個人閱讀龍氏作品的經驗。第二節「文與畫的統一──光影與色彩的執著者」，主要在詮釋龍氏作品的風格，這種風格緣於其特殊的寫作技法，也緣於他特殊體質與心靈的外現。第三節「『寒村』和『枇杷莊』就是故鄉北埔」，從作品還原龍氏的「故鄉」，這是他的整個文學場域的核心。第四節「親族肖像與鄉親臉譜」，藉由作品中的「故鄉人」，來理解其特殊的「思鄉情懷」。第五節「從山裡來的人──大隘社原住民群像」，理解作者藉由另一種「故鄉人」，反襯「故鄉人」的負面形象的苦心。第六節「寒村和枇杷莊風俗瑣記」，探討龍氏對故鄉人事物的全面關懷，並將此種關懷託諸筆墨，化為作品。第七節「結語」，總結作者對寒村和枇杷莊的刻畫，用了異樣強烈的光色和線條，事實則隱藏著他心靈內在深邃的思鄉情懷。

This paper is intended to search for a different way to read Lung Ying-tsung's works through a direct exploration of his works especially focused on the depiction of his homeland. The ＂Foreword＂ in the first section briefly states a personal experience of the author in the reading of Lung's works. ＂The Unification of Writing and Drawing － A Loyalist of Light Shades and Colors＂ in the second section mainly interprets the style of Lung's works originated from his unique writing techniques and his exterior presentation of his particular physical quality and spiritual inspiration. ＂The Han Village and Loquat Villa as Homeland of Beipu＂ in the third section makes a representation of his homeland from his works, which is the center of his entire literary world. ＂The Portraits of the Clan and Faces of Fellow Folks＂ in the fourth section deals with his ＂homeland sentiments＂ from the homeland natives depicted in his works. ＂The People from the Mountain － Aborigines in the Daai Community＂ in the fifth section observes the efforts of Lung to present a negative image of ＂the homeland natives＂ in contrast to ＂the other kind of homeland natives.＂ ＂The Folk Customs and Trivialities of Han Village and Loquat Villa＂ in the sixth section explores Lung's concerns over people, affairs and matters at his homeland and his efforts to write theses concerns into his works. The ＂Conclusion＂ in the seventh section states the author's discovery that Lung's employment of strange and strong light shades and lines in the depiction of Han Village and Loquat Villa, as a matter of fact, conceals his inner-deep homeland sentiments.

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