2D動畫創作應用於家暴議題的表現－以動畫「囡喃」為例

2D animation creation applied to the performance of domestic violence issues-take the animation ＂Nan Nan＂ as an example

柯媁晴；吳崇榮；黃俊雄

2D動畫創作 ； 創作流程 ； 社會議題 ； 家暴 ； 信仰 ； 2D animation Creation ； Creation Process ； Social Issues ； Domestic Violence ； Belief

數位媒體設計國際研討會論文集

第十四屆（2021 / 06 / 11）

37 - 46

繁體中文

作為設計系的研究生，常會以不同方式的創作作為對人、事、物的陳述，由本研究中整理出的統計中可看出家暴次數往往是不減反增，且數量持續的增高不下，但這是一個時常被忽略的議題，在此希望以2D動畫創作的方式講述家暴議題，讓觀者能在觀賞動畫的過程中，也同時注意到家暴這個議題的存在與不可忽視。本創作以2D動畫創作流程進行動畫呈現的研究，動畫流程相對分做三部分，分別為前製、製作、後製，並以此架構前提下進行創作，藉由本研究獲得以下結論：1.能夠更增加創作上的完整性、2.動畫製作分工配合上的調配、3.製作流程倘若有問題能隨時檢視。

As a graduate student in the Department of Design, I often use different methods of creation as a statement of people, things, and things. The statistics compiled in this research show that the number of domestic violence tends to increase instead of decreasing, and the number continues to increase, but this It is a topic that is often overlooked. I hope that the issue of domestic violence will be described in the way of 2D animation creation, so that viewers can also notice the existence and non-ignorable issue of domestic violence while watching the animation. This creation is based on the 2D animation creation process for the study of animation presentation. The animation process is relatively divided into three parts, namely pre-production, production, and post-production. Creation is carried out under this framework. The following conclusions are obtained through this research: 1. Ability It also increases the completeness of creation, 2. The deployment of animation production division and coordination, 3. The production process can be checked at any time if there is a problem.