探討電影運鏡觀看歷程之初探研究

Preliminary Study on the Influence of Camera Movement on the Film Viewing Process

莊賢智；魏裕昌；唐大崙；張莆崧；蕭煜勳

鏡頭語言 ； 運鏡 ； 動態熱區圖 ； Camera Language ； Camera Movement ； Dynamic Heatmap

數位媒體設計國際研討會論文集

第十四屆（2021 / 06 / 11）

397 - 400

繁體中文

攝影運鏡技巧在電影創作中有著舉足輕重的作用，但人們對於電影的觀看過程所知有限，缺乏實證支持閱聽人內心感受。本研究從實證美學的角度出發，以眼動追蹤法探討運鏡手法與觀看模式影響，以理解觀者如何欣賞電影作品。研究發現跟拍鏡頭較為吸引注意，觀眾會盯住主體看外，會一直環看周邊細節，凝視次數及跳視次數最多，視線分散度最分散，因此導演善用拍攝鏡頭，有效將影像傳遞給人們，並增加觀看視覺流暢度，抓住觀眾視覺感受，可提供電影理論與實務參考，運用實證美學發展電影實務與眼動追蹤的新方法。

Camera movement techniques play a pivotal role in film-making, yet understanding of the psychological processes of watching movies is limited and lacking in empirical support for the inner experience of movie viewers. This research is grounded on the perspective of empirical aesthetics and used eye tracking to explore camera movement techniques and their influence on viewing modes in order to understand how viewers appreciate film works. The results indicate that the follow-shot is able to attract more attention, as the viewer is revealed to stare at the subject while looking outward, constantly glancing around the surrounding for details, thus resulting in the most number of fixations and saccades and the most dispersed gaze distribution of all the compared camera movement techniques. A director who makes good use of the camera can therefore effectively convey the intended imagery to the viewer, increase the viewing fluency and grasp the viewer's visual sensation. Suitability of this study as reference for film theory and practice is in the use of empirical aesthetics for practical film development and as a novel application of eye-tracking technology.