聲音視覺化之互動式動態海報－《聲色Colorful Sounds》創作論述

Sound Visualization in Interactive Animated Poster - A Creation Description of "Colorful Sounds"

葉慧君(Yeh, Hui-Chun)；劉家伶(Liu, Cha-Lin)

動態海報 ； 新媒體藝術 ； 聲音視覺化 ； Animated Poster ； New Media Art ； Sound Visualization

數位媒體設計國際研討會論文集

第十二屆（2019 / 06 / 14）

144 - 151

繁體中文;英文

在現今數位科技發達之下，民眾邁入了新媒體時代，生活方式也因此有了不小的轉變，以往人們通過紙本雜誌、報刊來獲取來自各方資訊，然而現今人們在仰賴手機、電腦的環境下使得資訊逐漸數位化，能透過感應、掃描等技術進行互動反饋，讓海報這樣的傳統媒體發展成了動態海報形式，不僅僅是供觀者在數位平台上瀏覽，也使得藝術創作者在科技時代下能更多元的進行新媒體藝術創作。雖然在未來動態海報的應用將日趨月異，但筆者認為紙本海報在時代的演變中還是有著一定的地位與價值，是一種乘載著溫度與回憶的傳統媒體，故本作品將會以紙本海報方式結合動態投影進行創作。以「聲音視覺化」作為創作切入點之實驗互動式海報作品《聲色Colorful Sounds》，筆者以聲音與色彩之共同單位赫茲（Hz）作為轉換，將筆者生活中所聽聞之聲音轉化為視覺後呈現於海報上，並以圖像記錄著自身對於事物的想像與突破。此系列海報想以聲音的角度重現筆者所認知的色彩世界，聲音在科學儀器下符號化為數字後，再轉變成色彩的符碼，以這樣數據化的方式將生活中的聲音賦予了新的色彩，筆者同時探討歷史文獻中以海報結合互動與動態之作品，作為此動態海報創作依據，並藉由此次創作重新思考著自身對於生活中的認知，嘗試以不同角度來看待身邊的人、事、物。

Under the rapid development of digital technology nowadays, people have entered a new generation of media, leading to a significant lifestyle change. In the past, people acquired information through print media such as magazines and newspapers. Yet today, as people rely heavily upon mobile phones and computers, information is by degrees converted into digital format. Through sensing, scanning, and other techniques, old media print posters can be transformed into animated posters. Such trend has not only contributed to the prevalence of digital platforms, but also allowed artists to create new media art in a more diverse way. Although the use of animated posters is to grow by great leaps in the future, the artist believes that print posters are still of certain foothold and value. They are a form of traditional media that holds warmth and memories. This creation, therefore, is designed applying both print poster and dynamic projection. This creation of experimental interactive posters is based on the key concept- "sound visualization". Using the common unit of sound and color, Hz, the artist seeks to convert audio tones heard in daily life into visual elements on posters, recording her own imagination and breakthroughs in life. This series of posters aims to reverse the typical impression the public has of "color perception." With the application of scientific instruments, sounds are first computerized into numerical digits and then transformed into color codes. Digitalized, the sounds of everyday life are given new colors. The artist will be exploring related interactive artworks in historical documents while incorporating motion graphic into posters. At the same time, she hopes to reflect upon her perception of things and attempts to view her surroundings in a different light.